Västerplana Church date from the 12th century. In the 18th century the church was considered to be too small and therefore it was enlarged and transformed into a cruciform church. Thus the direction of its nave is no longer west to east but north to south, where the chancel is today. The northern arm of the cross was begun in 1724 and the southern one was finished in 1737. This new part of the church got a high altar in the 1730s and paintings on the ceiling at about the same time. The old pulpit from 1636 was now rebuilt and placed in the new chancel in the south.
The remarkable medieval baptismal font has been attributed to a certain Master Othelric, whose signature you can find in the church of Skälvum, only a few kilometres from here. His works show traces of German as well as of English influence, and so experts assume that he was born in Germany but learned his craft mainly in England.
The Madonna with the Christ-child from the early 13th century is a good specimen of Swedish wood-carving.There is also a somewhat younger wooden sculpture representing St John the Baptist. The triumphal crucifix originally belonged to the neighbouring church of Medelplana and can be dated back to the end of the Middle Ages, but the cross belonging to it is not as old as that.
The paintings on the walls of the old chancel were created in the 1630s and those on the ceiling in the 18th century, the latter inspired by what could be seen and admired in the Castle of Läckö.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.