Creich Castle is a ruined tower house. There is a mention of a castle on the property in the 13th century, but it is uncertain what relationship that has to the existing structures. There is documentary evidence of a tower in 1553, but the existing structure either postdates that or has been heavily remodeled, judging by its architectural style.
The first surviving records that mention Craich show that it was held by the MacDuff, Earls of Fife and they were probably the builders of the first Creich Castle. The land was subsequently owned by the Liddel family until they forfeited it when charged with treason. The Beaton family purchased it in 1503 and the property has been linked with David Betoun of Creich, Cardinal David Beaton, a 16th century Archbishop of St Andrews, and Mary Bethune. The existing ruins date from the 16th century.
The castle is 1.7 km south of the River Tay and is located in a depression surrounded by higher ground on all sides. The lower ground immediately surrounding the tower complex was formerly marsh, some of which still survives, which would have improved its defensibility. The tower house is L-shaped. The main block is three storeys tall, although the wing has a height of four storeys. The walls are whin rubble with ashlar dressings. Over the stair tower is a heavily corbelled cornice for the parapet walk. The upper floors are inaccessible and in bad repair.
The tower was likely enclosed in a courtyard as there are the remains of a small round tower 20 yards west typical of those found at gateways or, less frequently, barmkins. The nearby Creich Castle Doocot or dovecote, dating to 1723, is category A listed. It is rectangular in shape with two interior chambers.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.