The Parish Kirk of Crail was founded in the second half of the twelfth century, though the site appears to have older religious associations. In its first form, it consisted of an unaisled rectangular nave and chancel of Romanesque design.
In the early thirteenth century, a tower was added at the west end and the nave was re-built with arcades of six gothic arches opening to north and south aisles and a new arch opening to the chancel.
From an early period, the church belonged to the Cistercian Nunnery of St. Glare in Haddington, from which it was formally disjoined in 1594.
Crail Kirkyard is recognised as a significant burial ground that carries the evidence of how affluent a trading town Crail was in earlier centuries. It has a significant number of mural monuments, 17 in total, whereas most other Kirkyards in Scotland would have maybe one or two.
A mural monument is a funeral monument built into a wall, usually that of a kirkyard, sometimes that of a building. They were most common in Scotland between 1400 and 1750 and often had an elaborate mixture of sculpture and carving.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.