The Łódź Jewish Cemetery, also known as the New Jewish Cemetery, was once the largest Jewish cemetery in Poland and one of the largest in the world. The necropolis was opened in 1892 and occupies around 44 hectares of land. The cemetery contains from 180,000 to 230,000 marked graves, as well as mass graves of victims of the Litzmannstadt Ghetto and the Holocaust. From 1893 to 1896, the basic construction of the necropolis was completed under the supervision of well-known architect Adolf Zeligson.
The circular access is provided by the gate from the southern side on the axis of Abram Cukier Street, which is an extension Chryzantem Street. Pedestrian access is possible from the east through a gate in the wall stretching along Zmienna Street. The composition of the foundation is based on the arrangement of two mutually perpendicular axes. The first one leads from the main gate to the square in front of the pre-funeral house. Alongside it, there were once buildings associated with the functioning of the necropolis, in addition to the pre-burial house, this complex included a synagogue, a residential house for cemetery service, a water tower, a mikveh and other minor construction facilities.
Today over a hundred of historical gravesites have been declared historical monuments and are in various stages of restoration. The mausoleum of Izrael Poznański is perhaps the largest Jewish tombstone in the world and the only one containing decorative mosaic.
The cemetery continues to function as a Jewish burial site.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.