Fleeing from the Normans and carrying with them the relics of their founder, St-Laumer, some Benedictine monks found shelter in Blois where they decided to build their abbey. the present church, today known as St. Nicolas, but whose real name is St. Laumer, was the former abbey-church.
From 1138 to 1186 these monks built the choir, the transept and the first row of columns of the abbey-church, completing it at the beginning of the next century. During the War of Religion the church was disfigured and the abbey itself destroyed by the Protestants. In the 17th and 18th centuries abbey was rebuilt, it was turned into a hospital at the time of the Revolution.
The speed with which the church was built and the sole addition of the apse chapel in the 14th century give a surprising unity to the whole. On entering the church, one could imagine that it was worked in the same stone by the same workman, for the same majestic and robust characteristics appear in all the different parts of the church. The elegant form of the choir, the crossbar, the majestic pillars of the transept-cross, the statues of people and masks which are to be found along the entire length of the building, the perspective inside the church, where the horizontal lines dominate the verticals; all this adds up to harmonious ensemble, which places the abbey-church of St. Laumer among the most remarkable examples of French medieval architecture.
However, two different periods of construction - about 20 years between them - have left the building with two different, and very marked, architectural styles. It is from the center of the church that the visitor will be able to notice these characteristics the most easily.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.