Borthwick Castle is one of the largest and best-preserved surviving medieval Scottish fortifications. The castle was built at the site of an earlier structure, and it remains the Borthwick family ancestral seat. Sir William Borthwick, later the 1st Lord, obtained from King James I on 2 June 1430 a licence to erect a castle or fortalice. It was originally a stone enclosure fortress centring on an unusually tall tower house. The design is a 'U-shaped' keep with a gap between the projecting, slightly asymmetrical, towers. There was a surrounding defensive courtyard with round towers pierced with shot-holes at the corners. While the tower house itself is exceptionally well preserved for its date, the surrounding wall and towers are much restored.
Mary, Queen of Scots visited Borthwick in 1563 and 1566. On 15 May 1567 she married James Hepburn, 4th Earl of Bothwell, and in June they came to Borthwick where they were besieged in the castle while under the protection of 6th Lord Borthwick. Mary, it is said, escaped the siege by disguising herself as a page. However, the queen was soon arrested and taken to Lochleven castle where she was held in captivity. Bothwell fled to Orkney and Shetland, and from there escaped to Norway, which at the time was under Danish rule.
In 1650 the Castle was attacked by Oliver Cromwell's forces, and was surrendered after only a few cannon shots. The damage to the walls from this attack is still visible.
After a period of abandonment, the Castle was restored by 1914. During World War II the structure was used as a hiding place to store national treasures. In 1973 it was leased from the Borthwick family and converted into an exclusive hire venue.
The castle is on a small hill surrounded by a stream. Apart from the large cannon scar on one face, the walls, built of fine sandstone ashlar, are virtually complete, and very unusually, none of the original narrow windows have been enlarged. The battlements, however, no longer survive to their original height, having lost their stepped crenelations. They are carried on massive projecting corbels with corner roundels. The tower has two doorways, both unaltered and round headed. One at ground level leads into the partly subterranean kitchen and storage vaults. The second is directly above it at first-floor level, and leads directly into the stone-vaulted great hall. It is approached by a reconstructed stone bridge.
The Great hall of Borthwick Castle is 12 m long and of great height. The barrelled Gothic ceiling is painted with pictures of the castle and 'De Temple of Honor' in Gothic characters is visible. The chimney which is also on a large scale is covered by designs.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.