Château de Valençay is a residence of the d'Estampes and Talleyrand-Périgord families. Although geographically it is part of the province of Berry, its architecture invites comparison with the Renaissance châteaux of the Loire Valley, notably the Château de Chambord. The manor was praised as "one of the most beautiful on earth" by George Sand, who also noted that "no king has owned a more picturesque park".
The château, sited at the edge of a plateau that overlooks the little Nahon river, was built on a royal scale by the d'Estampes family of financiers over a period of some 200 years. Construction started in 1540 at the behest of Jacques d'Estampes in place of the demolished 12th century castle and was not completed until the 18th century, when the south tower was added.
The 18th century saw a rapid succession of owners, including the notorious Scottish banker John Law, who purchased the estate in 1719. Nearly a century later, in 1803, Napoleon ordered his foreign minister Charles Maurice de Talleyrand to acquire the property as a place particularly appropriate for reception of foreign dignitaries, notably Ferdinand VII of Spain, who would spend six years in Napoleonic captivity at Valençay. (The treaty providing for his release in 1813 took the estate's name).
The period of Talleyrand's occupancy was the golden age in the history of Valençay, with twenty-three communes reportedly administered by the ruling prince. Undoubtedly the most celebrated of Talleyrand's servants employed at Valençay was his chef, Marie-Antoine Carême. After Talleyrand's death in 1838, the great statesman was buried in a small mortuary chapel in the park. His collateral descendants retained the ownership of the estate until 1952, when the male line ended. The last prince bequeathed the property to his stepson, who sold it to an association of historic chateaux in 1979.
Talleyrand's château boasts one of the most advanced interiors of the Empire style anywhere. There are a hundred rooms, of which a quarter comprise Talleyrand's apartments. A room of King Ferdinand is also shown to tourists. The western wing contains the Talleyrand Museum, formerly housed in outbuildings, and Le Musée de l'Automobile du Centre, exhibiting over fifty vintage and antique automobiles.
The formal French gardens, dating from the early 20th century, cover about forty hectares, not counting the area of Talleyrand's vineyards. Llamas, peacocks, and other exotic animals kept in the park provide amusement for tourists.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.