The whitewashed church in Bjerre has a choir and nave from Romanesque period with a late Gothic tower to the west and a later porch to the south. The Romanesque building is in travertine without any visible plinth, and it has not kept special original details. In the late Gothic period was in the choir built one, in the nave three cross vaults and the choir arch was extended. At almost the same time the tower was added withan eight rib-vault in the bottom room and a round tower arch. In the north wall of the tower is a straight-running stairway up to the middle storey. The porch is built in monk bricks but it has no dated details.
The altar piece is a Renaissance structure from ab. 1630 with two pillars. It was decorated in 1741 and repaired in 1939. The present painting, Christ is healing a sick, was painted by Anker Lund in 1892; an earlier painting, The Crucifixion, hangs above the exit door. Altar chalice from 1774 with names and coat of arms of Hans Helmer Lüttichau and wife. Balustershaped Baroque candelabres, from ab. 1650. The Romanesque granite font has a rather roughly carved basin with large lions and a dragon in flat-relief, divided by trees. The round foot has corner-knots. A South German dish with engraved coat of arms of Walkendorf and Egern-Friis. A sounding board from the beginning of the 1700s, similar to the choir desk, which has naive biblical paintings. Upon the desk stand two late Gothic small-figures of Virgin Mary and Sct Laurentius. A torso of an indefinable crucifix-figure is at Glud Museum.
A pulpit in Renaissance, ab. 1630, with Tuscany corner pillars and a contemporary sounding board. An interesting early Gothic bell from ab. 1325-50, without inscription, but with seal imprint, which in the shield shows a murtinde (wall peak) and the word 'Nicles...nes'. In the porch two very worn out gravestones from the late 1700s with naive Evangelist symbols.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.