The whitewashed church in Bjerre has a choir and nave from Romanesque period with a late Gothic tower to the west and a later porch to the south. The Romanesque building is in travertine without any visible plinth, and it has not kept special original details. In the late Gothic period was in the choir built one, in the nave three cross vaults and the choir arch was extended. At almost the same time the tower was added withan eight rib-vault in the bottom room and a round tower arch. In the north wall of the tower is a straight-running stairway up to the middle storey. The porch is built in monk bricks but it has no dated details.
The altar piece is a Renaissance structure from ab. 1630 with two pillars. It was decorated in 1741 and repaired in 1939. The present painting, Christ is healing a sick, was painted by Anker Lund in 1892; an earlier painting, The Crucifixion, hangs above the exit door. Altar chalice from 1774 with names and coat of arms of Hans Helmer Lüttichau and wife. Balustershaped Baroque candelabres, from ab. 1650. The Romanesque granite font has a rather roughly carved basin with large lions and a dragon in flat-relief, divided by trees. The round foot has corner-knots. A South German dish with engraved coat of arms of Walkendorf and Egern-Friis. A sounding board from the beginning of the 1700s, similar to the choir desk, which has naive biblical paintings. Upon the desk stand two late Gothic small-figures of Virgin Mary and Sct Laurentius. A torso of an indefinable crucifix-figure is at Glud Museum.
A pulpit in Renaissance, ab. 1630, with Tuscany corner pillars and a contemporary sounding board. An interesting early Gothic bell from ab. 1325-50, without inscription, but with seal imprint, which in the shield shows a murtinde (wall peak) and the word 'Nicles...nes'. In the porch two very worn out gravestones from the late 1700s with naive Evangelist symbols.
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.