The Archbishop's Palace is a castle and palace in the city of Trondheim, located just south of the Nidaros Cathedral. For hundreds of years, the castle was the seat, residence and administrative center of the Archbishop of Nidaros.
The castle is one of the largest medieval stone structures in Scandinavia and the oldest walls are likely from the 13th century. The Archbishops of Nidaros expanded the castle gradually, with great halls and residential areas being built over time. Norway’s last Archbishop, Olav Engelbrektsson, attempted to make a final stand and defend the castle during the Reformation but eventually fled into exile.
After the abolishment of Roman Catholicism, the castle became royal property where the local lensherre resided. The castle was restored, rebuilt into a residential palace and eventually used more for military purposes, again being expanded considerably. After the Sovereignty Act of 1660, the castle became the seat and residence of the Amtmann.
Today, the castle has several museums, is frequently used by the Church of Norway and is also the venue of Olavsfestdagene. The Regalia of Norway have been kept in the western flank of the castle at various times since 1826, but have been on permanent display in the castle since 2006.
'The Armoury' (Rustkammeret) is a Norwegian army museum as well as a resistance museum, emphasizing the military history of Trøndelag. Military equipment of Norway during World War II at display in the 'Armoury' Army Museum in Trondheim. The museum has weapons, uniforms and other artifacts on display, starting with the Viking Age, going through the Middle Ages and the Norwegian union with Denmark (1380–1814) and later with Sweden (1814–1905), up to the German occupation of Norway during World War II (1940–1945).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.