The Château de Serrant is a Renaissance château built on the foundations of a medieval fortress. From the 14th century the castle was held by the Brie family. Charles de Brie was inspired to start modernisation early in the 16th century, but lack of funds meant the project was halted with only the North Tower completed.
Ownership of the castle then changed hands several times before Guillaume de Bautru, a State Councillor, purchased the property in 1636. de Bautru restarted the construction that had been halted over a century earlier. By using Charles de Brie's original plans and the same russet schist and white tuffeau stone, de Bautru ensured that there was a continuity of design. The central halls, two wings and the South Tower were added, with Jules Hardouin Mansart completing the work of de Bautru by building the chapel.
In 1749, the estate was sold by the last surviving descendant of the de Bautru family and was bought by Antoine Walsh, a shipowner whose family were exiled Jacobites. As well as redecorating the interior of the castle, the Walsh family built an English style park, pavilions, and a monumental gate complete with the family crest. The château eventually passed out of the hands of the Walsh family in 1830 when Valentine Walsh de Serrant married the Duc de La Trémoïlle. La Trémoïlle assigned Luciene Magne the task of restoring the castle and several features, including parapets and cornices, were added. The La Trémoïlle family still own the château, but in the 20th century it has been modernised with cellars and the introduction of electricity.
The castle is notable for the library, stocked with 12,000 books; the vaulted halls, originally home to the kitchens; and Napoleon's bedroom, which was never used by the Emperor as he stayed at the castle for only two hours.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.