The Château de Brissac is a noble mansion originally built as a castle by the Counts of Anjou in the 11th century. After the victory over the English by Philip II of France, he gave the property to Guillaume des Roches. In the 15th century, the structure was rebuilt by Pierre de Brézé, a wealthy chief minister to King Charles VII. During the reign (1515–47) of Francis I, the property was acquired by René de Cossé, who the king named as governor of Anjou and Maine.
During the French Wars of Religion, Château Brissac was made a possession in 1589 by the Protestant, Henry of Navarre. Severely damaged, the fortress was scheduled to be demolished. However, Charles II de Cossé sided with Henri of Navarre who soon was crowned King of France. In gratitude, King Henry gave him the property, the title Duc de Brissac and the money to rebuild the chateau in 1611. Its construction made it the highest château in France, its façade reflecting the influences of that century’s Baroque architecture. Through marriage, the Cossé-Brissac family also acquired the Château Montreuil-Bellay but later sold it.
In August 1620, Louis XIII and his mother, Marie de Medici, met to discuss their differences in the "neutral" territory of Château Brissac. A temporary truce between the two was reached but it did not last long and the Queen Mother was eventually banished.
The descendants of the Duc de Brissac maintained the château until 1792 when the property was ransacked during the Revolution. It lay in waste until a restoration program began in 1844 that was carried on during the 19th century by the Duke's descendants.
Today, the Château Brissac is still owned by a de Cossé family member. It has seven storeys altogether, making it the tallest chateau in the Loire Valley. The chateau is open to tours and its luxurious gilded theater hosts the annual Val de Loire festival. It was also used as a location for Brazilian celebrity magazine "Caras" until recently.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.