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Ruth Kinnear (2 years ago)
The ruined church on the White Island has a reconstructed plain Romanesque doorway. Secured to the north side of the south wall are eight carvings (seven figures and one head) built into the masonry of the church. Most of the figures were carved wearing the long tunics of churchmen. They are all carved in quartzite and were probably 'constructed' between 800 and 1000, and were later used as building stones in the church, before being uncovered in recent centuries. Helen Hickey has identified them as three pairs of caryatids. Each pair a different height and suggests that because of the sockets on the top of their heads that they may have supported a pulpit or preaching chair of an earlier possible wooden church. One popular theory is that the figures illustrate an episode in the life of St. Patrick, when Patrick heals a local King. This event is linked strongly with the Cathedral in Armagh, Northern Ireland.
There are eight figures in all, including an uncarved figure, suggesting the figures were carved on-site, and a frowning face, or 'mask'. An inscribed cross-carved stone was discovered built into the wall around the church.
It is recorded in the Annals that the Vikings attacked and destroyed the monasteries in Lough Erne in AD 837. For at least 400 years therefore these carvings may have laid in the ruins before a stone Romanesque style church was built.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.