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Ruth Kinnear (2 years ago)
The ruined church on the White Island has a reconstructed plain Romanesque doorway. Secured to the north side of the south wall are eight carvings (seven figures and one head) built into the masonry of the church. Most of the figures were carved wearing the long tunics of churchmen. They are all carved in quartzite and were probably 'constructed' between 800 and 1000, and were later used as building stones in the church, before being uncovered in recent centuries. Helen Hickey has identified them as three pairs of caryatids. Each pair a different height and suggests that because of the sockets on the top of their heads that they may have supported a pulpit or preaching chair of an earlier possible wooden church. One popular theory is that the figures illustrate an episode in the life of St. Patrick, when Patrick heals a local King. This event is linked strongly with the Cathedral in Armagh, Northern Ireland.
There are eight figures in all, including an uncarved figure, suggesting the figures were carved on-site, and a frowning face, or 'mask'. An inscribed cross-carved stone was discovered built into the wall around the church.
It is recorded in the Annals that the Vikings attacked and destroyed the monasteries in Lough Erne in AD 837. For at least 400 years therefore these carvings may have laid in the ruins before a stone Romanesque style church was built.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.