Situated on the left of the road heading up to the Acropolis at Lindos, the church of Panagia (Our Lady) is an enchanting sight and an obligatory stop for all visitors. Surrounded by high walls and a small courtyard, this old church was originally built in 1300 but has since been submitted to numerous reconstructions. The most important was ordered by the Grand Master Pierre d’Aubusson (1476 to 1503) of the Knights of Rhodes (Order of St. John) and the most recent is dated in 1927, during the Italian occupation.
Its most prominent external feature is the high-rise, stone built campanile tower, typical of the Rhodian (and Dodecanese) churches. The main building has a cross-shaped plan superimposed by an octagonal dome, whitewashed walls and red byzantine tiles roof.
In the interior the pavement is covered by a superbly executed pebble mosaic (hohlaki), popular in the Rhodian traditional architecture. In the front, there is a richly decorated and spectacularly carved wooden iconostasis² and a Bishop’s throne while large bronze layered candle chandelier are hanging from above. Visitors will be astounded by the quality of the 19th century wall frescoes, depicting biblical scenes. The barrel-vaulted roof and the dome there covered with more impressive frescoes the work of the famous Gregorios of Symi dating back in 1779, depicting icons of Mary, Jesus, and the saints. As the viewers turn to the back of the church and walk out, over the doorway, a huge colorful fresco bursts with the story of The Last Judgment. Pale twisting bodies writhe together in the orange and red flames of hell. A strong message for those who won’t follow the ways of the church.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.