The Cathedral of Saint Mary of Tudela was originally a collegiate church. It became a cathedral with the creation of the Diocese of Tudela, which existed 1783-1851 and again 1889-1956. It is now a co-cathedral in the Archdiocese of Pamplona and Tudela.
Christians under Alfonso the Battler conquered Tudela in 1119. The city had been under Muslim control, although three religious communities were living there. In the aftermath of the conquest, Muslims were forced to live in a suburb outside the city walls. The city´s main mosque was handed over to the church. The site was designated for the construction of a church (prior to the mosque there had been a church there dedicated to Santa Maria la Blanca). Construction began on a collegiate church in 1168.
The architectural style initially used was Romanesque. Among the treasures of the church, are the three Romanesque portals with elaborate sculptural decoration. The North door is called the Portal de Santa Maria, while to the South is the Portal del Juicio (Portal of the Last Judgement).
The nave and chapels was rebuilt in Gothic-style. Construction lasted until the 13th-century.
The main chapel has a retablo (reredos) by 15th-century artists consisting of 18 panels of the Life of Jesus and Mary, and others depicting prophets and apostles. The sculpture of the Assumption of the Virgin (1606) is by Juan Bascardo.
The central choir was completed by Esteban de Obray in Gothic style. The organ was made in 1759 by Lucas de Tarazona of Lerín.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.