Construction of the San Pedro church began in the 12th century but continued over the next centuries, creating a hybrid of structures. It is located adjacent to the castle-like Royal Palace of Olite. The 52-meter-high Gothic bell-tower is capped by a pointed roof, and is known as Torre Aguja or 'Needle Tower'. The murals in the bell-tower were moved to the Museo de Navarre.
The main portal is highly decorated including with scenes of St George and the Dragon and a centaur fighting a harpy. The tympanum is a later addition, depicting Saints Peter, Andrew and James. The lintel depicts scenes of the life of Saint Peter. The facade has a Gothic rose window.
North of the church is a cloister with decorated Gothic columns. Some of the capitals depict scenes from Genesis.
The main retablo is dedicated to Saint Peter, and was completed in Baroque style. The canvases of Saint Fermín and Saint Francis Xavier are by Vicente Berdusán. The Chapel of the Virgen del Campanal was frescoed in the 13th century. These works are now preserved in the Museum of Navarre.
Inside the church is the tomb monument of the notary Enequo Pinel, built in 1432. A polychrome alabaster relief depicts the Trinity with three persons. The decorations were sculpted by Jean Lome de Tournay, sculptor for the court of Charles III of Navarre.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.