Ale's Stones (Ales stenar) is a megalithic monument which consists of a stone ship 67 meters long formed by 59 large boulders of sandstone, weighing up to 1.8 tonnes each. According to Scanian folklore, a legendary king called King Ale lies buried there.
The carbon-14 dating system for organic remains has provided seven results at the site. One indicates that the material is around 5,500 years old whereas the remaining six indicate a date about 1,400 years ago. The latter is considered to be the most likely time for Ales Stenar to have been created. That would place its creation towards the end of the Nordic Iron Age.
In 1989, during the first archaeological excavations performed in order to scientifically investigate and date the monument, archaeologists found a decorated clay pot with burned human bones inside the ship setting. The bones are thought to come from a pyre and to have been placed in the pot at a later date. The pot's contents varied in age; some material was from 330-540 CE while a piece of charred food crust also found inside was determined to be from 540-650 CE. The archaeologists working on the project also found birch charcoal remains from 540-650 CE underneath an undisturbed boulder. According to the Swedish National Heritage Board, carbon-14 dating of the organic material from the site indicates that six of the samples are from around 600 CE, while one sample is from ca. 3500 BCE. The diverging sample came from soot-covered stones that are believed to be the remnants of an older hearth, found close to the ship setting. On the basis of these results, the Swedish National Heritage Board has set a suggested date of creation for Ales Stenar to 1,400 BP, which is the year 600 CE.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.