Ale's Stones, Ystad, Sweden - SpottingHistory.com

Ale's Stones (Ales stenar) is a megalithic monument which consists of a stone ship 67 meters long formed by 59 large boulders of sandstone, weighing up to 1.8 tonnes each. According to Scanian folklore, a legendary king called King Ale lies buried there.

The carbon-14 dating system for organic remains has provided seven results at the site. One indicates that the material is around 5,500 years old whereas the remaining six indicate a date about 1,400 years ago. The latter is considered to be the most likely time for Ales Stenar to have been created. That would place its creation towards the end of the Nordic Iron Age.

In 1989, during the first archaeological excavations performed in order to scientifically investigate and date the monument, archaeologists found a decorated clay pot with burned human bones inside the ship setting. The bones are thought to come from a pyre and to have been placed in the pot at a later date. The pot's contents varied in age; some material was from 330-540 CE while a piece of charred food crust also found inside was determined to be from 540-650 CE. The archaeologists working on the project also found birch charcoal remains from 540-650 CE underneath an undisturbed boulder. According to the Swedish National Heritage Board, carbon-14 dating of the organic material from the site indicates that six of the samples are from around 600 CE, while one sample is from ca. 3500 BCE. The diverging sample came from soot-covered stones that are believed to be the remnants of an older hearth, found close to the ship setting. On the basis of these results, the Swedish National Heritage Board has set a suggested date of creation for Ales Stenar to 1,400 BP, which is the year 600 CE.

References:

Wikipedia

User Reviews

Vegan-Iced Ella (2 years ago)
An amazing January afternoon with a beautiful sunset. Ales stenar is absolutely a place to visit when in Skåne.

Bill Boyer (2 years ago)
Beautiful place to visit at any time of year. Be prepared for the 1km walk from the main car park and strong winds on the exposed clifftop site.

stefan norell (3 years ago)
A really interesting and magnificent landmark well worth a visit. The coastline is also an attraction as it rises above the rest of the landscape and ends steeply towards the sea.

Rose Shao (3 years ago)
Good day trip and tends not to be overcrowded. Ales Stenar is surrounded by a nice little fishing town where you can sit down for food as well as a nice cliff facing the sea. Make sure the weather is good for your trip because being so close to the sea, the weather (rain, wind, etc) becomes 2X more extreme than usual.

János Kiss (3 years ago)
Ales Stenar is a really mysterious place. You can walk in the middle of the stones and feel the history or something special. This place is higher than the sea level and it is a fairly large area. You can take a long circle and enjoy the view. The entrance is free! When you walk up from the harbour you can meet lovely sheep!

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Seville Cathedral

Seville's cathedral, Santa Maria de la Sede, is the largest Gothic cathedral in the world, and is recognised as UNESCO World Heritage. After its completion in the early 16th century, Seville Cathedral supplanted Hagia Sophia as the largest cathedral in the world, a title the Byzantine church had held for nearly a thousand years.

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The basilica occupies the site of the great Aljama mosque, built in the late 12th century by the Almohads, the ruling Moorish dynasty, of which the only remaining parts are the Patio de Naranjas, the Puerta del Perdon (on Calle Alemanes, on the north side), and the Giralda (formerly the minaret, now the belltower).

Shortly after Seville's conquest by Ferdinand III, the mosque was converted into the city's cathedral. Its orientation was changed and its spaces partitioned and adorned to suit Christian worship practices. The internal space was gradually divided into chapels by constructing walls in the bays along the northern and southern walls. Almost the entire eastern half of the cathedral was occupied by the royal chapel that would hold the bodies of Ferdinand, his wife and Alfonso the Wise.

In 1401, city leaders decided to build a new cathedral to replace the grand mosque that served as the cathedral until then. Construction continued until 1506. The clergy of the parish offered half their stipends to pay for architects, artists, stained glass artisans, masons, carvers, craftsman and labourers and other expenses. Five years after construction ended, in 1511, the crossing lantern, or cimborrio, collapsed and work on the cathedral recommenced. The crossing again collapsed in 1888 due an earthquake, and work on the dome continued until at least 1903.

Architecture

The interior has the longest nave of any cathedral in Spain. The central nave rises to a height of 42 metres. In the main body of the cathedral, the most noticeable features are the great boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retablo of carved scenes from the life of Christ. This altarpiece was the lifetime work of a single craftsman, Pierre Dancart.

The Capilla Mayor (Great Chapel), dominated by a vast Gothic retablo (altarpiece) comprised of 45 carved scenes from the life of Christ, as well as Santa Maria de la Sede, the cathedral's patron saint. The lifetime's work of a single craftsman, Pierre Dancart, this is the ultimate masterpiece of the cathedral - the largest and richest altarpiece in the world and one of the finest examples of Gothic woodcarving anywhere.

The Giralda is the bell tower of the Cathedral of Seville. Its height is 105 m. The Giralda is the former minaret of the mosque that stood on the site under Muslim rule, and was built to resemble the minaret of the Koutoubia Mosque in Marrakech, Morocco. It was converted into a bell tower for the cathedral after the Reconquista, although the topmost section dates from the Renaissance.

The tomb of Christopher Columbus is one of the main attractions of the cathedral for visitors, housing the remains of the great explorer who died in poverty in Valladolid. The tomb itself is more recent, from the 1892, with four bearers presenting the kingdoms of Castile, Leon, Aragon and Navarra.

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