Østerlars Church is the largest and, possibly, the oldest of the Bornholm island's four round churches. Built in about 1160, it was dedicated to St. Lawrence. It consists of an apse, an oval chancel, a large round nave and has three storeys. There is evidence the church was once fortified, the top storey serving as an open shooting gallery. The fieldstone wall stands on foundations of Bornholm limestone. The double-arched apse bears similarities to that in Lund Cathedral. The round nave has an external diameter of 16 meters. In its centre there is a large round hollow column, six meters wide. An opening, known as the oven, leads into a small room inside the column.
Originally there were small Romanesque windows but these were enlarged after the Reformation. During the 16th century, a number of pillars were added to support the outer wall. The conical roof was replaced in the 17th century. The porch is from 1870. The bell tower stands separately from the church in the churchyard, and the bell tower was the original entrance and gate tower. There are two runestones, one inside the porch (c. 1100) and another outside (c.1070).
The church's central column is decorated with frescos from 1350 showing biblical scenes from the Annunciation through to the Passion, ending with Day of Judgment where Jesus judges mankind. Many of the naked figures are sent to hell, symbolized by a huge dragon. They were probably painted some 140 years after the church was built. The frescos, which had been hidden with limewash since the Reformation, were uncovered in 1882. The pulpit is from 1595. The carved altarpiece is from c. 1600.
Erling Haagensen, co-author of The Templars' Secret Island, believes there is a connection between the round churches of Bornholm and the Knights Templar. He believes there are similarities between the geometrical precision of the churches' locations and those of churches in Rennes-le-Châteauin France. He concludes that Østerlars, and the other round churches, could have been used as supply stores for the crusades.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.