Ny Kirke (New Church) is a 12th century round church located in the village of Nyker. Built in the Romanesque style with two storeys, it contains frescoes from various periods and a pulpit with 17th century-panels. Ny Kirke is normally considered to be the youngest of the island's four round churches. It was originally called "Ecclesia Omnium Sanctorum" (All Saints Church). The present name dates from the middle of the 16th century.

The church consists of an apse, a rectangular choir and a round nave, all from the Romanesque period. It is built of granite fieldstone apart from the central column and the window frames which are in finished limestone. The semicircular tympanum over the south door is made from a single block of limestone. The porch, dating from the Late Gothic period, it is somewhat younger than the body of the church itself. The apse has three windows and a half-domed vault while the choir has a barrel vault. The chancel arch has been enlarged judging by the remains of a smaller Romanesque arch. It appears the windows have also been widened.

A frieze round the top of the central pillar is divided into 13 panels with paintings of the Passion in the early Gothic style. They appear to be from around 1300 or a little later. The colouring is very simple: white, yellow and red ochre and moss green, as are the figures which lack detail. The frescoes were discovered by Jakob Kornerup in 1891 and restored by Egmont Lind in 1937. Kornerup also found a fresco to the left of the north door of St Christopher bearing the infant Jesus, probably from the 15th century but in view of its poor condition, it has now been whitewashed over. Above the north door there is a medallion depicting the Lamb of God with the chalice and the banner of the cross together with two panels illustrating the Annunciation.

The pulpit itself dates from the recent restoration but its carved decorations from the beginning of the 17th century are the work of Hinrich Ringering of Flensburg. The four panels depict Annunciation in Nazareth, the Nativity, the Adoration of the Magi and the Circumcision. The Romanesque font in the choir is of grey limestone imported from Gotland. The chandelier, originally from 1594, was restored in 1688. It bears a stylized split double eagle and two coats of arms. The church's smaller bell is from 1639 was cast for Sallerup Church in Scania while the larger one from 1725 was cast in Lübeck.

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Address

Ellebyvej 1A, Rønne, Denmark
See all sites in Rønne

Details

Founded: 12th century
Category: Religious sites in Denmark
Historical period: The First Kingdom (Denmark)

Rating

4.5/5 (based on Google user reviews)

User Reviews

Hans L D H (5 months ago)
Speciel kirke
Stephanie Kolwinski (7 months ago)
Beautiful little church. Does not take that much time to visit, but is nice to see.
Jens Pihl (9 months ago)
Flot velholdt og typisk.. Et godt sted at være
Hermann-Josef Holländer (9 months ago)
Schöne Rundkirche im Nordosten von Rønne. Schließt um 18:00
Michael Dam (13 months ago)
Ny kirke - Flotte nyrenoverede kalkmalerier!
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Limburg Cathedral

The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.

In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.

The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.

The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.

The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).

Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.

Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.

The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.