Ny Kirke (New Church) is a 12th century round church located in the village of Nyker. Built in the Romanesque style with two storeys, it contains frescoes from various periods and a pulpit with 17th century-panels. Ny Kirke is normally considered to be the youngest of the island's four round churches. It was originally called "Ecclesia Omnium Sanctorum" (All Saints Church). The present name dates from the middle of the 16th century.
The church consists of an apse, a rectangular choir and a round nave, all from the Romanesque period. It is built of granite fieldstone apart from the central column and the window frames which are in finished limestone. The semicircular tympanum over the south door is made from a single block of limestone. The porch, dating from the Late Gothic period, it is somewhat younger than the body of the church itself. The apse has three windows and a half-domed vault while the choir has a barrel vault. The chancel arch has been enlarged judging by the remains of a smaller Romanesque arch. It appears the windows have also been widened.
A frieze round the top of the central pillar is divided into 13 panels with paintings of the Passion in the early Gothic style. They appear to be from around 1300 or a little later. The colouring is very simple: white, yellow and red ochre and moss green, as are the figures which lack detail. The frescoes were discovered by Jakob Kornerup in 1891 and restored by Egmont Lind in 1937. Kornerup also found a fresco to the left of the north door of St Christopher bearing the infant Jesus, probably from the 15th century but in view of its poor condition, it has now been whitewashed over. Above the north door there is a medallion depicting the Lamb of God with the chalice and the banner of the cross together with two panels illustrating the Annunciation.
The pulpit itself dates from the recent restoration but its carved decorations from the beginning of the 17th century are the work of Hinrich Ringering of Flensburg. The four panels depict Annunciation in Nazareth, the Nativity, the Adoration of the Magi and the Circumcision. The Romanesque font in the choir is of grey limestone imported from Gotland. The chandelier, originally from 1594, was restored in 1688. It bears a stylized split double eagle and two coats of arms. The church's smaller bell is from 1639 was cast for Sallerup Church in Scania while the larger one from 1725 was cast in Lübeck.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.