Aa Church (Aa kirke) is a Romanesque church dating from the 12th century. Aa Church, which literally means "stream church", owes its name to the two streams which run beside it. Dedicated to John the Baptist, it was first known as Sankt Hans kirke (St John's Church). A gilded figure of St John stood in the church until 1706 but was buried in the churchyard by the priest as it was attracting undue attention from Catholic prisoners during the Great Northern War.
The church was built in the latter half of the 12th century in several stages. The oldest remaining sections are the choir and apse and the lower parts of the nave, all characterized by greenish sandstone and rust-brown shale from nearby Grødby Stream. The western end of the nave and the tower are made of limestone. The men's door to the south and the women's door to the north have both been preserved although the latter has been transformed into a window.
The tower was originally narrower on the western side but was already widened to its current dimensions of 13 by 11 metres during the Romanesque period. With its four floors, it reaches a height of 22 metres. The twin roofs from the 14th century probably replaced a four-sided pyramid. The bells now hang here although they were originally housed in the Bornholm fashion in a separate bell tower to the south of the church. The vaulted rooms in the tower were once used to store foodstuffs. The porch of Nexø sandstone, the oldest on Bornholm, is slightly more recent than the tower but still dates to the Romanesque period around 1200–1235.
The nave is large and light with a flat wooden ceiling. The vaulted ceiling from the Gothic period c. 1350 is supported by four rectangular corner pillars. It was earlier divided into two by arcade walls and had a gallery for the nobles from the now ruined Lilleborg Castle. During major restoration work in 1874, the arcade walls were torn down giving the church its present shape. Further restoration was carried out in 1968.
The altarpiece and pulpit date from 1603, probably the work of the sculptor Johan Ottho from Lund. With 11 scenes of Jesus' life, the sandstone font from 1200 is ascribed to the Gotland sculptor Sigraf.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.