Nylars Church (Nylars Kirke) is a round church built around 1165. The church was dedicated to St Nicholas. Originally designed for a defensive role, the solid structure contains a series of 13th century frescoes, the oldest of Bornholm's four round churches.
The three storeys are built of fieldstone and with window and door frames of limestone. The original defensive systems are largely intact. The decorated south door is well preserved. The porch is from 1879. The church first belonged to the Archbishopric of Lund, then came under the Danish crown at the time of the Reformation. In the 19th century, it became fully independent.
The three-storey circular structure with a diameter of 11 metres was originally unlimed. The oval-shaped chancel and its apse were constructed at the same time as the nave. Unlike the round churches of Østerlars and Ols whose masonry is supported by buttresses, Nylars is solidly constructed with walls up to 2 metres thick. Originally the church had two doors, one for men and one for women. The northern women's door was first replaced by a window in the 19th century, then completely bricked up in 1973. Measuring only 52 by 27 cm, the small window in the northwest corner behind the stairs up to the gallery is the only completely original Romanesque window in Bornholm's round churches.
The lower section of the separately-standing bell tower was probably once used as an entrance gate. Remains of the west door can still be seen in the west wall. A niche on the upper floor probably contained a door leading to a staircase as at Østerlars. The belfry is a later half-timbered addition. There are two bells: the smaller one is from 1702 and bears the stamp of King Frederik IV while the larger bell was cast on Barnholm in 1882.
Like the other three round churches on Bornholm, the nave is covered by a ring vault supported by the heavy central pillar built of limestone from Limensgade near Aakirkeby. The apse, lined with limestone flags, has a high half-domed vault in which five holes in the shape of a cross can be seen. The gallery and pulpit, originally from 1882, were decorated by Poul Høm in 1973 in tones reflecting those of the church's frescos. In 1972, Høm also completed the little stained-glass window depicting a timeglass located behind the pulpit. In 1882, when the whitewash was removed from the interior, a 13th-century fresco frieze was revealed around the top of the central pillar. On a blue background, typical of the period, it depicts scenes from the Creation and the Last Judgment.
The chancel was not used for defence unlike that in Østerlars. The church font, from the late Romanesque period, is sculpted in Gotland limestone. The baptismal bowl from c. 1575 is from the south of Germany. Depicting a man's profile and the inscription Marcus Tullius Cicero, it was probably first used for affluent banquets. The stained-glass window in the apse, the work of Poul Høm, represents the resurrection with a seed developing into a plant.References:
The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.
A document signed by Pope Honorius II in 1206 refers to a mons coburg, a hill settlement. In the 13th century, the hill overlooked the town of Trufalistat (Coburg's predecessor) and the important trade route from Nuremberg via Erfurt to Leipzig. A document dated from 1225 uses the term schloss (palace) for the first time. At the time, the town was controlled by the Dukes of Merania. They were followed in 1248 by the Counts of Henneberg who ruled Coburg until 1353, save for a period from 1292-1312, when the House of Ascania was in charge.
In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.
In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.
In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.
From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.
In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.
The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.
In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.
The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.