To thank him for his role in the Battle of Bouvines in 1214, King Philippe Auguste offered the site of Montleroy to Chancellor Guérin, bishop of Senlis. Half of the land was sold to build the Abbey of Victory and on the rest was built a residence for the Bishops called Mont-l’Évêque.
The Bishop set up his summer residence in the old fortified house on the banks of the Nonette River. Over the centuries, the castle is improved by additions and especially by the arrangement of the river to create ponds and supply water to mills. It was destroyed during the Hundred Years’ War and then rebuilt during the 16th century. It remained the property of the bishops of Senlis until the french Revolution.
The buildings are organized on the edge of a pond in the middle of a vast and remarkable park. In the center, the 18th century house built to receive the administrative services of the diocese, on each side the castle and the chapel.
The buildings were purchased in 1806 by Baron Joseph-Xavier de Pontalba. The family had the facades of the castle and the chapel facing it completely redesigned in the neo-gothic or “troubadour” style. It is a question of reviving the medieval arts by decorating the facades with crenellations, arrows and gargoyles. Mont-l’Évêque is even considered to be one of the rare successful examples of this romantic style. A special feature in the chapel is the rood screen of the Carmelite convent in Metz, dating from the 14th century. It was for a long time stored in wooden crates in the home of Josephine de Beauharnais and bought by the Pontalba family, close to Napoleon’s wife.
The outside visit of the castle is authorized by the owner, a direct descendant of Joseph de Pontalba.
Practical information
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.