La Piscine (French for 'the swimming pool') is a museum of art and industry, located in the city of Roubaix in northern France. It is more formally known as La Piscine-Musée d'Art et d'Industrie André Diligent or Le musée d'Art et d'Industrie de la ville de Roubaix, but its common name derives from the fact that it is housed in a former indoor swimming pool, with a notable art deco interior.
The swimming pool was constructed between 1927 and 1932, by the Lille architect Albert Baert. It closed as a swimming pool in 1985, and was remodelled as a museum by the architect Jean-Paul Philippon, opening in 2000. A modern entrance building, special exhibition space and garden were constructed within the roof-less shell of an adjoining textile factory.
The museum's permanent collection has its origins in 1835, when a collection of fabric samples from the many local textile factories was started. By 1898 the collection was housed in the National High School of Arts and Textile Industry (ENSAIT), and was seen as a way of cultivating the tastes of the town's workers, foremen and manufacturers. To this end the collection combined elements of literature, fine-arts, science and industrial products. The ENSAIT museum closed with the onset of World War II, and never reopened. From 1990 the collections were displayed in Roubaix's town hall, in preparation for the opening of La Piscine in 2000.
La Piscine was reopened in 2018 after two-year restoration, that cost nine million euro.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.