La Piscine (French for 'the swimming pool') is a museum of art and industry, located in the city of Roubaix in northern France. It is more formally known as La Piscine-Musée d'Art et d'Industrie André Diligent or Le musée d'Art et d'Industrie de la ville de Roubaix, but its common name derives from the fact that it is housed in a former indoor swimming pool, with a notable art deco interior.
The swimming pool was constructed between 1927 and 1932, by the Lille architect Albert Baert. It closed as a swimming pool in 1985, and was remodelled as a museum by the architect Jean-Paul Philippon, opening in 2000. A modern entrance building, special exhibition space and garden were constructed within the roof-less shell of an adjoining textile factory.
The museum's permanent collection has its origins in 1835, when a collection of fabric samples from the many local textile factories was started. By 1898 the collection was housed in the National High School of Arts and Textile Industry (ENSAIT), and was seen as a way of cultivating the tastes of the town's workers, foremen and manufacturers. To this end the collection combined elements of literature, fine-arts, science and industrial products. The ENSAIT museum closed with the onset of World War II, and never reopened. From 1990 the collections were displayed in Roubaix's town hall, in preparation for the opening of La Piscine in 2000.
La Piscine was reopened in 2018 after two-year restoration, that cost nine million euro.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.