The Krapperup estate dates from medieval times, but the existing manor, except the wings, is from the 16th century. When the Podebusk family built the castle, Skåne was still part of Denmark. The seven-pointed star, which is Gyldenstierne’s coat-of-arms, was added to the facades at the beginning of the 1600s. Denmark lost Skåne to Sweden in 1658, with Krapperup’s first Swedish owner being Maria Sophia de la Gardie. In the 1700s, the Hildebrands and then the von Kochen family owned the estate, and it was finally inherited by the Gyllenstierna family, with the seven-pointed star, in the 19th century.
The state rooms, with their Victorian interiors, are all situated in the main building, leaving the wings for the family’s private apartments. The gardens, covering about 80 acres, developed during the 19th century from their previous formal and utilitarian design into the present romantic layout with winding paths, carp ponds, an abundance of rhododendrons and an attractive rose garden.
The former estate in tail of Krapperup was converted into a foundation in 1967. This was with the aim of preserving the castle and the gardens in their surrounding rural landscape. The estate continues to be run as before by the family, with a well functioning agricultural holding of about 5,000 acres.
The old farm buildings around the former stableyard now house a museum and art gallery, a music hall and a small café and shop for visitors. The manor is open for prebooked visits only, but the gardens are accessible throughout the whole year.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.