Basingwerk Abbey abbey was founded in 1132 by Ranulf de Gernon, 4th Earl of Chester, who had already brought Benedictine monks from Savigny Abbey in southern Normandy. Likely the first location of the abbey was not at the current location at Greenfields but at the nearby Hen Blas. The abbey became part of the Cistercian Order in 1147.
The abbey had significant lands in the English county of Derbyshire. Henry II gave the monks a manor near Glossop. The Monks' Road and the Abbot's Chair near the town are a reminder of the Abbey's efforts to administer their possession. In 1290 the Abbey gained a market charter for Glossop. The monks also got another charter for nearby Charlesworth in 1328.
By the 13th century, the abbey was under the patronage of Llywelyn the Great, Prince of Gwynedd. His son Dafydd ap Llywelyn gave St Winefride's Well to the abbey. The monks harnessed the power of the Holywell stream to run a corn mill and to treat the wool from their sheep. In 1433, the monks leased all of Glossopdale in Derbyshire to the Talbot family, the future Earls of Shrewsbury (1442).
In 1536, abbey life came to an end with the Dissolution of the Monasteries during the reign of Henry VIII. Its dissolution was made lawful by the Dissolution of the Lesser Monasteries Act and the lands of the abbey were granted to lay owners.
The abbey ruins are part of Greenfield Valley Heritage Park, and are managed by Cadw. The abbey marks the starting point of the North Wales Pilgrims Way.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.