The Bertradaburg is a ruined hill castle on a rock spur above the village of Mürlenbach in the county of Vulkaneifel. The castle was built on the remains of a Roman castrum, which probably guarded the Roman road from Trier to Cologne. In the castle, according to local tradition, Bertrada, the mother of Charlemagne is said to have lived which implies that his birth was around 747 AD. The existence of the castle is first recorded in the 13th century when it is mentioned as a state fortress of the princely imperial abbey of Prüm (c.f. the Middle Rhine Register or Mittelrheinisches Urkundenbuch), archaeological finds have indicated that there were earlier fortifications on the site.
After Prüm Abbey was occupied and damaged by French Revolutionary troops from 1794 to 1802, Mürlenbach's castle was seized as part of the forced secularisation of the abbey estate and auctioned by France to a private owner.
In the late 20th century, the surviving castle walls and buildings were restored by the Tiepelmann family and the state-owned, 30-metre-high, ruined double tower gate was rebuilt with state finance. In 2009, the nine owners were given a grant from the federal and state budgets to secure and maintain the 16th-century, five-metre-thick, southwest roundel. The 13th-century shield wall was also renovated with funding from the state of Rhineland-Palatinate.
The 30-metre-high tower house, the double tower gateway of the Betradaburg, is visible from a long way off. It has good views of the surrounding countryside and may be visited as part of a guided tour. Every year the Mürlenbach Castle Festival (Mürlenbacher Burgfest) takes place. The castle is privately owned and has holiday apartments which are currently being renovated.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.