Église Saint-Pierre-et-Saint-Paul is a former church of a rich Benedictine abbey founded in 726. It is surrounded by buildings and ruins that had once belonged to the same order. Thanks to its Romanesque parts, the church is a stage on the Romanesque Road of Alsace.
The church's exterior architecture is strikingly clear-cut, insofar as its visible parts are growing younger from East to West, or older from West to East. The purely Romanesque superposed chapels behind the choir date from the 11th century; the choir itself, the transept and the easternmost bay of the nave date from the late 12th and early 13th century and reflect a transitional style between Romanesque and Gothic architecture; the rest of the nave was rebuilt later in the 13th century, in a sober but well defined Gothic style; while the facade with its porch tower was rebuilt between 1768 and 1773 in the Louis Quinze style. The crossing tower was modified by architect Émile Boeswillwald during a restoration campaign in the years 1852–1858. Interestingly, the former church of the nearby Marmoutier Abbey has an identical architectural history, but in reverse: the western part is Romanesque, the nave is Gothic and the choir was rebuilt in the 18th century. Each church also has a crypt that is even older than the surfacing parts (in Neuwiller's case, it dates from the 9th century).
Inside, the choir is separated from the rear chapels by a wall that appears to shorten the visible space: while the whole building's length is 66 metres, the total combined length of nave, transept and choir is only 43 metres.
The church holds the relics of Saint Adelphus since the first half of the 9th century. In the Middle Ages, these relics had become so popular with pilgrims that the Benedictines built a second church nearby (1190–1225, now the village's Protestant church) specially to serve as a shrine, so as to remain undisturbed in their own sanctuary. The reliquary of Saint Adelphus was later moved back into Saint-Pierre-et-Saint-Paul in the 19th century, after the dissolution of the abbey following the French Revolution.
Among the many works of art inside the former abbey church, the four, late 15th or early 16th-century tapestries depicting the life and the miracles of Adelphus, on display in the upper of the superposed Romanesque chapels (dedicated to Saint Sebastian), are perhaps the most notable. A strikingly gory scene depicts a knight being forced by divine wrath to devour his own hand after having tried to break the saint's sarcophagus. The 12th-century baptismal fonts, the 14th-century statue of the Virgin and Child, the 1478 Entombment of Christ, and the 18th-century carved choir stalls are also especially noteworthy. All these objects are classified as monuments historiques.
References:The Château de Chantilly comprises two attached buildings: the Petit Château built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s. Owned by the Institut de France, the château houses the Musée Condé. It is one of the finest art galleries in France and is open to the public.
The estate"s connection with the Montmorency family began in 1484. The first mansion (now replaced by the Grand Château) was built in 1528–1531 for the Constable Anne de Montmorency by Pierre Chambiges. The Petit Château was also built for him, around 1560, probably by Jean Bullant. In 1632, after the death of Henri II, it passed to the Grand Condé who inherited it through his mother, Charlotte Marguerite de Montmorency.
Several interesting pieces of history are associated with the château during the 17th century.