St. Francis of Assisi Church is a Basilica-style Catholic church in Vienna. Built between 1898 and 1910, it was consecrated in 1913. The construction of the church celebrated the 50th anniversary of the reign of Emperor Franz Joseph I of Austria. A competition was held to select the design and was won by architect Victor Luntz. The four-bay, basilica-like brick building was intended as a garrison church; designed in the Rhenish-Romanesque style, its three red-tiled towers are visible several kilometres away.
The Mexikoplatz (Mexico Square), formerly known as Erzherzog-Karl-Platz (Archduke-Karl-Square), commemorates the fact that Mexico was the only country outside the Soviet Union to protest against the Anschluss of Austria to Nazi Germany.
The Art Nouveau-style Elisabethkapelle (Elizabeth Chapel) is located on the left of the church next to the choir. It is 13.5 meters high and 10 metres wide. The octagonal chapel is modeled on the Palatine Chapel in the Aachen Cathedral.
In 1898, the Italian anarchist Luigi Lucheni assassinated the wife of Emperor Franz Joseph I of Austria, Empress Elisabeth of Austria (commonly referred to as Sisi). To commemorate her, the Elisabethkapelle was established. It was financed through donations from the Red Cross, as Empress Elisabeth was the first Protector of the Red Cross.
Because of the Red Cross's large donation of 348,348 crowns, the chapel was decorated with gold mosaics rather than frescoes, and the walls were covered in marble rather than stucco. The mosaics were designed by Secession artist Carl Ederer. On the vault of the chancel there is a large mosaic of Saint Elizabeth of Hungary. The chapel was completed in 1907 and consecrated on 10 June 1908.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.