Schönbrunn Palace is a former imperial summer residence located in Vienna. The 1,441-room Baroque palace is one of the most important architectural, cultural, and historical monuments in the country. The history of the palace and its vast gardens spans over 300 years, reflecting the changing tastes, interests, and aspirations of successive Habsburg monarchs.
The site of the Palace and Gardens of Schönbrunn is outstanding as one of the most impressive and well preserved Baroque ensembles of its kind in Europe. Additionally, it is a potent material symbol of the power and influence of the House of Habsburg over a long period of European history, from the end of the 17th to the early 20th century.
It is impossible to separate the gardens from the palace, of which they form an organic extension: this is an excellent example of the concept of Gesamtkunstwerk, a masterly fusion of many art forms.
A small hunting lodge and later summer residence of the Habsburg family was rebuilt after total destruction during the last Turkish attack in 1683. During construction work the project was expanded into an Imperial summer residence of the court. As such it represents the ascent and the splendour of the Habsburg Empire. At the peak of Habsburg power at the beginning of the 18th century, when imperial Vienna following the Turkish reflected its regained significance in spectacular examples of newly developing Baroque art, Schönbrunn was one of the most important building projects of the capital and residency.
The ample Baroque gardens with their buildings (Gloriette, Roman ruins etc.) and statuary testify to the palace's imperial dimensions and functions. The original intention, when they were laid out in the 18th century, was to combine the glorification of the House of Habsburg with a homage to nature. The Orangery on the east side of the main palace building is, at 186 m, the longest in the world. The Great Palm House is an impressive iron-framed structure, 114 m long and divided into three Sections, erected in 1880 using technology developed in England.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.