The Château de Nérac is a castle in the Lot-et-Garonne département in southwest France. An edifice of the French Renaissance style, it was finished during the reign of Jeanne d'Albret, Queen of Navarre, daughter of Marguerite d'Angoulème who was also Marguerite de Navarre by her marriage to Henry II of Navarre.
A stately home belonging to Arsieu of Albian is mentioned in 1088 but the first mention of a castle on the site is that belonging to Amanieu VI of Albret (Labrit) in 1259. The castle was rebuilt between the 15th and 16th centuries by the House of Albret. The House of Albret became linked to the Kingdom of Navarre after his marriage to Queen Catherine of Navarre (Lescar, 1486) and his crowning jure uxoris as King Jean III of Navarre. The castle was the location of a vibrant court during the life of Jeanne d'Albret, Queen Jeanne III of Navarre, and the youth of Henry III of Navarre, the future Henry IV of France. In 1560, Queen Jeanne III and her court converted to reformed religion after the meeting of Theodore de Bèze, and they welcomed a number of artists, such as Clément Marot.
After the coronation of Henry III of Navarre as King Henry IV of France, the castle was deserted. It was partially destroyed in 1651 by Henry of Lorraine, Duke of Mayenne, after the town revolted against king Louis XIII of France and then dismantled during the French Revolution, excepting the northern part, which is now a museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.