The Castle of Châteauneuf-du-Pape was probably originally a Roman castrum destroyed during the great invasions. A 913 charter referred to the castellum de Leri. The first mention of a Castro Novo (new fortified village), which led to the name Châteauneuf, did not appear until 1048. In 1077 the keep was built there. Throughout the Middle Ages, the old château was a watchtower and a toll gate on the Rhône that passed to various families allied to the house of Albaron. Only a tower remained in 1146, and by 1283 it was already being referred to as 'the old tower'.
Jacques d'Euze, previously the bishop of Avignon, was elected pope in 1316 and took the name John XXII. Châteauneuf fell directly under his authority. Then in 1317 he decided to build a new château above the village. It was finished in 1333. Due to its size and location its function was essentially defensive At the same time, in 1318, he circled it with ramparts.
After the Popes returned to Rome in the early 15th century, the castle was abandoned, for the bishops did not have the means to maintain the castle. During the years which followed, the castle underwent the vicissitudes of time, including times of strife such as the Wars of Religion in the 16th century. In 1892 it was ranked as a historical monument, and was again damaged during the World War II.
Today, all that remains is a sungeon, the southern wall, and the lower pontifical cellar. The castle is the emblem of the town of Châteauneuf-du-Pape and is often used for local receptions and wine events, such as the Councils of the Echansonnerie des Papes, the Bacchic Brotherhood of Châteauneuf-du-Pape Wines.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.