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Founded: 12th centuryCategory: Castles and fortifications in France
Historical period: Birth of Capetian dynasty (France)
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Bruniquel castle is often called Châteaux de Bruniquel (i.e. castles, plural). This is because, two centuries after its construction, the castle was shared between two branches of the Comminges house, hence château vieux (old castle) and château jeune (young castle).
According to Gregory of Tours, the Merovingian Queen Brunehaut or Brunhilda built the first castle, 'château vieux' or 'castel Biel in the 6th century on the site of a Roman castrum.
Of the early 12th century castle, the only remains are partial foundations, parts of walls and the keep, the so-called Tour de Brunehaut. The site has been altered at various times, notably in the 13th, 15th, 17th and 19th centuries.
The 'château vieux' still has its keep from the 12th century, an era when the castle was the property of the Counts of Toulouse, and its residence from the 13th century. It also has a Renaissance gallery; other parts have undergone extensive remodelling in the 18th and 19th centuries. The keep is named after Brunehaut (la tour de la Reine Brunehaut).
The 'château jeune' dominates the confluence of the rivers Aveyron and Vère from a height of 90 m. It was built between 1485 and 1510 and was remodelled during the Baroque period. Its Renaissance gallery has six arcades.
The whole site has been classified as a historic monument since 1840 and has recently been restored. The castle is open to the public from March to mid-November.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.