Albi Cathedral is the seat of the Roman Catholic Archbishop of Albi a UNESCO World Heritage Site. It was built as a fortress in the aftermath of the Albigensian Crusade. Begun in 1287 and under construction for 200 years, it is claimed to be the largest brick building in the world.
The present cathedral was preceded by other buildings. The first dated from the fourth century and in 666 was destroyed by fire. The second is recorded in 920 by the name of Saint Cecilia, the present-day patroness of musicians. It was replaced in the thirteenth century by a Romanesque cathedral in stone.
The Brick Gothic cathedral was constructed in brick between 1287 and 1480 in the wake of the Cathar Church, a Christian non-trinitarian dualist movement with an episcopal see at Albi around 1165 AD. Pope Innocent III initiated a brutal crusade (1209–1229) to extinguish Catharism in southern France, with great loss of life to area residents. In the aftermath of the bloodshed, the cathedral's dominant presence and fortress-like exterior were intended to convey the power and authority of the trinitarian Roman Catholic Church. The instigator of the cathedral's construction was Bernard de Castanet, Roman Catholic Bishop of Albi and Inquisitor of Languedoc. Work on the nave was completed about 1330.
The cathedral is built in the Southern Gothic Style. As suitable building stone is not found locally, the structure is built almost entirely of brick. Notable architectural features include the bell-tower (added in 1492), which stands 78 metres tall, and the doorway by Dominique de Florence (added circa 1392). The nave is the widest Gothic example in France at 18m. The interior lacks aisles which are replaced by rows of small chapels between brick internal buttresses, making Albi a hall church. Compared with regular Gothic, the buttreses are almost entirely submerged in the mass of the church. The principal entry is on the south side through an elaborate porch entered by a fortified stair, rather than through the west front, as is traditional in France.
The elaborate interior stands in stark contrast to the cathedral's military exterior. The central choir, reserved for members of the religious order, is surrounded by a roodscreen with detailed filigree stone work and a group of polychrome statues. Below the organ, a fresco of the Last Judgement, attributed to unknown Flemish painters, originally covered nearly 200 m² (the central area was later removed). The frescoes on the enormous vaulted ceiling comprise the largest and oldest ensemble of Italian Renaissance painting in France.
The cathedral organ, the work of Christophe Moucherel, dates from the 18th century.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.