Albi Cathedral is the seat of the Roman Catholic Archbishop of Albi a UNESCO World Heritage Site. It was built as a fortress in the aftermath of the Albigensian Crusade. Begun in 1287 and under construction for 200 years, it is claimed to be the largest brick building in the world.
The present cathedral was preceded by other buildings. The first dated from the fourth century and in 666 was destroyed by fire. The second is recorded in 920 by the name of Saint Cecilia, the present-day patroness of musicians. It was replaced in the thirteenth century by a Romanesque cathedral in stone.
The Brick Gothic cathedral was constructed in brick between 1287 and 1480 in the wake of the Cathar Church, a Christian non-trinitarian dualist movement with an episcopal see at Albi around 1165 AD. Pope Innocent III initiated a brutal crusade (1209–1229) to extinguish Catharism in southern France, with great loss of life to area residents. In the aftermath of the bloodshed, the cathedral's dominant presence and fortress-like exterior were intended to convey the power and authority of the trinitarian Roman Catholic Church. The instigator of the cathedral's construction was Bernard de Castanet, Roman Catholic Bishop of Albi and Inquisitor of Languedoc. Work on the nave was completed about 1330.
The cathedral is built in the Southern Gothic Style. As suitable building stone is not found locally, the structure is built almost entirely of brick. Notable architectural features include the bell-tower (added in 1492), which stands 78 metres tall, and the doorway by Dominique de Florence (added circa 1392). The nave is the widest Gothic example in France at 18m. The interior lacks aisles which are replaced by rows of small chapels between brick internal buttresses, making Albi a hall church. Compared with regular Gothic, the buttreses are almost entirely submerged in the mass of the church. The principal entry is on the south side through an elaborate porch entered by a fortified stair, rather than through the west front, as is traditional in France.
The elaborate interior stands in stark contrast to the cathedral's military exterior. The central choir, reserved for members of the religious order, is surrounded by a roodscreen with detailed filigree stone work and a group of polychrome statues. Below the organ, a fresco of the Last Judgement, attributed to unknown Flemish painters, originally covered nearly 200 m² (the central area was later removed). The frescoes on the enormous vaulted ceiling comprise the largest and oldest ensemble of Italian Renaissance painting in France.
The cathedral organ, the work of Christophe Moucherel, dates from the 18th century.
The Aberlemno Sculptured Stones are a series of five Class I and II Early Medieval standing stones found in and around the village of Aberlemno. The stones with Pictish carvings variously date between about AD 500 and 800.
Aberlemno 1, 3 and 5 are located in recesses in the dry stone wall at the side of the road in Aberlemno. Aberlemno 2 is found in the Kirkyard, 300 yards south of the roadside stones. In recent years, bids have been made to move the stones to an indoor location to protect them from weathering, but this has met with local resistance and the stones are currently covered in the winter.
Aberlemno 4, the Flemington Farm Stone was found 30 yards from the church, and is now on display in the McManus Galleries, Dundee.