Drevant Gallo-Roman site dates from the 1st to 3rd centuries and includes a well-preserved theater, a sanctuary, two bath complexes, and residential areas. It was a secondary settlement connected to river navigation and a local road. By the 4th century, the site abandoned, and the theater became a craft workshop. In the Middle Ages, the ruins were used as a stone quarry.
The structure combines elements of both an amphitheater and a theater, with an 85m-wide cavea supported by buttresses. The 27m-diameter arena, enclosed by a 2.6m-high podium wall, suggests it was used for circus performances.
Initially mistaken for a forum, the sanctuary features a large enclosure (116 × 89m) with a small central temple (fanum). Over time, it was expanded with monumental entrances, an octagonal sacred structure (possibly a bidental), and surrounding buildings.
Discovered in 1835, the two bathhouses (35 × 29m and 42 × 33m) had typical Roman features, including heated rooms. They were likely supplied by an aqueduct sourcing water 5 km away.
Developed in the late 1st or 2nd century, housing blocks were found mainly north of the site. Some residences included baths, while others may have served as inns or worker lodgings. Abandonment began in the mid-3rd century.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.