Lidzbark Gothic Castle was built in 1350-1401 on a site previously occupied by a small Prussian fort called Lecbarg, which had been situated between two rivers: the Łyna and the Symsarna. For many years Lidzbark Castle was a residence of the bishops of Warmia and a stronghold protecting the eastern border of their domain.
The basic structure of the castle consists of four wings enclosing the inner ward, surrounded by two-storey, arcaded wall walks, which are an only example in Poland of Gothic castle walks preserved in an ideal condition until our days. Two settlements outside the castle walls were built around the same time as the castle. The southern one contained a stable for horses, granaries and a coach house. In the northern one (industrial in character) there was a mill, a sawmill, a grinding workshop, a copper forge, a fulling mill and a tannery. The castle and the two settlements were surrounded by a ring of fortified walls, separate from the town, and moats supplied with water from the Symsarna river, which lies higher than the Łyna.
By the power of the Second Peace Treaty of Torun signed in 1466, Warmia was incorporated into Poland. Since then until 1795 Lidzbark Castle was a residence of many outstanding subjects of the Polish kings, who represented the best of the Polish culture. They created an important cultural centre in Lidzbark, which opposed, politically and congregationally, to the Lutheran ducal court in Königsberg.
One of the bishops of Warmia was Lucas Watzenrode, a maternal uncle of Nicolas Copernicus. Owing to his uncle's influence, Copernicus bound his mature life as well as his scientific and public activity with Warmia and Lidzbark Castle. The astronomer lived at the castle in Lidzbark for eight years: first after completing his studies in Cracow, at the turn of the years 1495-1496, and then, having returned from Italian universities from 1503 to 1510. At that time, the bishop's court shaped Copernicus' attitude against the Teutonic Order. More importantly, finding peace and quiet under the castle's roof, Copernicus was able to form the principles of his heliocentric theory, which he put in writing in the so-called Commentary. Later, he developed and completed the theory in his memorable work On the Revolutions of Celestial Spheres. While in Lidzbark, Copernicus also translated, from Greek to Latin, Letters of Theophylaktos Simokattes, which were then printed in Cracow in 1509. Since the end of the 16th century Lidzbark Castle was slowly losing its defensive character and eventually turned into a splendid ducal court, richly furnished with exquisite pieces of furniture, libraries and arts objects. The castle rooms were adapted to serve the new function - many were divided into smaller chambers and lavishly decorated with paintings.
In 1589-1599 the Bishop Anrzej Batory commissioned to build a palace adjacent to the north wing of the Gothic castle, known as the Cardinal's rooms - the palace was demolished in 1767). Another extension of the castle was undertaken by the Bishop Jan Stefan Wydżga, who added a Barque palace next to the south wing, built in 1666-1673 according to a design by the Italian architect Issidore Affaiti. The last eight Polish bishops of Warmia lived in this palace. The end to the splendour of Lidzbak Castle was brought by the incorporation of Warmia into Prussia in 1772. The last bishop of Warmia who resided at Lidzbark castle was Igancy Krasicki, a poet and a novelist, a comedy writer, an encyclopaedist and a journalist. After he left Lidzbark in 1794, the deserted castle began to slowly collapse.
The first complex restoration works were undertaken in 1927. At present the castle houses the Museum of Warmia, a branch of the Museum of Warmia and Mazury in Olsztyn. The castle chambers provide an excellent architectural and visual background for permanent and temporary exhibitions, such as Medieval art in Warmia and Teutonic Prussia, Outstanding residents at Lidzbark Castle, Russian icons of the 17th - 20th century, Castle military collection.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.