Olsztyn castle is the oldest building in the town. It was built in the 14th century and originally consisted of two wings. The archaeological research proves that the fortress was built from scratch, on a raw piece of land, where no traces of any earlier settlement have ever been found.
The castle belonged to the chapter of the Warmia diocese, which along with the bishop of Warmia was subjected to the military protection of the Order of Teutonic Knights until 1454. For that reason the castle played quite an important role during the wars between the Order and Poland. In 1410, after the battle of Tanneberg, the castle surrounded to the Polish king, and in 1414 after a short besiege it was seized by Polish troops. During the Thirteen Years' War (1454-1466) the castle changed hands several times. In 1521 the Teutonic Knights threatened the castle and the town. Owing to the defense measures taken by the castle administrator, Nicolas Copernicus, they gave in after one, unsuccessful attack. Nicolas Copernicus stayed at the castle as the administrator of the chapter property in 1516-1519 and 1520-1521. He lived in the north-east wing, in a large chamber with a view from two windows of the Łyna river and the castle mill. The third window overlooked the castle court. One door led to the castle wall walk and another to the chancery. In the early 16th century both rooms received beautiful crystal vaulting, which was rather low, but four hundred years later the rooms were made higher by lowering the floor.
Within the castle walls, as part of the south-west wing, there is St Anna's Chapel, built in the first half of the 16th century and consecrated by Bishop Martin Kromer in 1580. The external wall of the south wing is topped with very well preserved machicolations - protruding wooden walks with murder holes, through which castle defenders hurdled stones or poured boiling hot water or tar on heads of attackers. In the 18th century Olsztyn castle began to lose stature as the seat of the chapter administration had been moved to Frombork. Also its defensive function began to vanish. When some of the castle walls had been demolished, in 1758 a new palace wing was built, facing the town. In the years to follow the castle served different purposes, including a prison. When the regency of Olsztyn (a large administrative district in Prussia) was created in 1905, the castle was adapted to house an apartment for the president of the regency.
In 1945 the castle became the seat of the Masurian Museum, later renamed into the Museum of Warmia and Mazury. Visitors can see the fine first floor of the north wing, including such rooms as the castle administrator's living chamber, the chancery, the refectory and the old chapel. Upstairs they can see the storage and defensive top floor of the castle. Another building opened to the public is the corner watchtower, from which everyone can admire the views of the town. Today the castle is a popular venue for concerts, art exhibitions, lectures, scientific sessions, film shows (examples include cyclic summer meetings called Thursdays with Copernicus, concerts of the Olsztyn-based chamber music ensemble Pro Musica Antiqua, a series of meetings named Biographies). The Museum in Olsztyn is known for its unorthodox forms of sightseeing. On certain days or nights visitors can look into rooms which are usually closed to the public; they can try on medieval armory or costume. The youngest visitors are invited to take part in special workshops.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.