Olsztyn castle is the oldest building in the town. It was built in the 14th century and originally consisted of two wings. The archaeological research proves that the fortress was built from scratch, on a raw piece of land, where no traces of any earlier settlement have ever been found.
The castle belonged to the chapter of the Warmia diocese, which along with the bishop of Warmia was subjected to the military protection of the Order of Teutonic Knights until 1454. For that reason the castle played quite an important role during the wars between the Order and Poland. In 1410, after the battle of Tanneberg, the castle surrounded to the Polish king, and in 1414 after a short besiege it was seized by Polish troops. During the Thirteen Years' War (1454-1466) the castle changed hands several times. In 1521 the Teutonic Knights threatened the castle and the town. Owing to the defense measures taken by the castle administrator, Nicolas Copernicus, they gave in after one, unsuccessful attack. Nicolas Copernicus stayed at the castle as the administrator of the chapter property in 1516-1519 and 1520-1521. He lived in the north-east wing, in a large chamber with a view from two windows of the Łyna river and the castle mill. The third window overlooked the castle court. One door led to the castle wall walk and another to the chancery. In the early 16th century both rooms received beautiful crystal vaulting, which was rather low, but four hundred years later the rooms were made higher by lowering the floor.
Within the castle walls, as part of the south-west wing, there is St Anna's Chapel, built in the first half of the 16th century and consecrated by Bishop Martin Kromer in 1580. The external wall of the south wing is topped with very well preserved machicolations - protruding wooden walks with murder holes, through which castle defenders hurdled stones or poured boiling hot water or tar on heads of attackers. In the 18th century Olsztyn castle began to lose stature as the seat of the chapter administration had been moved to Frombork. Also its defensive function began to vanish. When some of the castle walls had been demolished, in 1758 a new palace wing was built, facing the town. In the years to follow the castle served different purposes, including a prison. When the regency of Olsztyn (a large administrative district in Prussia) was created in 1905, the castle was adapted to house an apartment for the president of the regency.
In 1945 the castle became the seat of the Masurian Museum, later renamed into the Museum of Warmia and Mazury. Visitors can see the fine first floor of the north wing, including such rooms as the castle administrator's living chamber, the chancery, the refectory and the old chapel. Upstairs they can see the storage and defensive top floor of the castle. Another building opened to the public is the corner watchtower, from which everyone can admire the views of the town. Today the castle is a popular venue for concerts, art exhibitions, lectures, scientific sessions, film shows (examples include cyclic summer meetings called Thursdays with Copernicus, concerts of the Olsztyn-based chamber music ensemble Pro Musica Antiqua, a series of meetings named Biographies). The Museum in Olsztyn is known for its unorthodox forms of sightseeing. On certain days or nights visitors can look into rooms which are usually closed to the public; they can try on medieval armory or costume. The youngest visitors are invited to take part in special workshops.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.