The cathedral church of St. James the Elder is situated within the old quarter next to the city walls and in the past it could fulfil a defensive function. It was built in stages from 1380 until 1445 and finally completed in its present shape during the early 17th c. The building was erected on the rectangular plan of ceramic bricks, with nave and two aisles, hall type, without separate presbytery. Late Gothic vaulting is late 16th c. During the same time (1562-1596) the tower was added. Piotr Olszewski designed chapels flanking the tower in 1721.
The interior décor is mainly new gothic. The older elements are: in the left aisle a late Gothic triptych from early 16th c., in the right aisle the painted triptych – “Crucifixion” of 1553 in new-gothic framing. The main altar and pulpits in new-gothic style. In the baptistery chapel a Baroque 18th c. painting of the Virgin of the Rosary surrounded by St, Catherine of Siena and St. Dominique. Initially the church was a parish church of St. James the Elder, patron of the town later raised to the distinction of a joint cathedral.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.