Grūtas Park (Grūto parkas) is a sculpture garden of Soviet-era statues and an exposition of other Soviet ideological relics from the times of the Lithuanian SSR. After Lithuania regained its independence in 1990, various Soviet statues were taken down and dumped in different places. Viliumas Malinauskas requested the Lithuanian authorities to grant him the possession of the sculptures, so that he could build a privately financed museum. This Soviet-theme park was created in the wetlands of the Dzūkija National Park. Many of its features are re-creations of Soviet Gulag prison camps: wooden paths, guard towers, and barbed-wire fences.
The exposition, consisting of 86 statues by 46 different sculptors, is organized into spheres. Each of the statues features a Soviet or socialist activist, many of them ethnic Lithuanians. The Totalitarian Sphere features sculptures of the main Communist leaders and thinkers, including Vladimir Lenin, Joseph Stalin, and Karl Marx. The Terror Sphere is dedicated to sculptures of founders of the Communist Party of Lithuania (Zigmas Aleksa-Angarietis, Vincas Mickevičius-Kapsukas) and officers of the Red Army (Feliksas Baltušis-Žemaitis, Ieronim Uborevich). It also has a sculpture of Felix Dzerzhinsky, the organizer of the Red Terror.
The Soviet Sphere includes sculptures of the four leaders of Lithuanian Communists, executed in the aftermath of the 1926 Lithuanian coup d'état, and activists of the Lithuanian–Soviet War of 1918–1919. The Red Sphere is dedicated to Soviet partisans, including Marytė Melnikaitė. The Occupation and Death Spheres showcase the brutal side the Soviet regime: mass deportations, suppression of the Lithuanian partisans, etc.w
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.