The Winter Palace was built between 1754 and 1762 for Empress Elizabeth, the daughter of Peter the Great. Unfortunately, Elizabeth died before the palace’s completion and only Catherine the Great and her successors were able to enjoy the sumptuous interiors of Elizabeth’s home. Many of the palace’s impressive interiors have been remodeled since then, particularly after 1837, when a huge fire destroyed most of the building. Today the Winter Palace, together with four more buildings arranged side by side along the river embankment, houses the extensive collections of the Hermitage. The Hermitage Museum is the largest art gallery in Russia and is among the largest and most respected art museums in the world.
The museum was founded in 1764 when Catherine the Great purchased a collection of 255 paintings from the German city of Berlin. Today, the Hermitage boasts over 2.7 million exhibits and displays a diverse range of art and artifacts from all over the world and from throughout history (from Ancient Egypt to the early 20th century Europe). The Hermitage’s collections include works by Leonardo da Vinci, Michelangelo, Raphael and Titian, a unique collection of Rembrandts and Rubens, many French Impressionist works by Renoir, Cezanne, Manet, Monet and Pissarro, numerous canvasses by Van Gogh, Matisse, Gaugin and several sculptures by Rodin. The collection is both enormous and diverse and is an essential stop for all those interested in art and history.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.