Toruń is a small historic trading city that preserves to a remarkable extent its original street pattern and outstanding early buildings, providing an exceptionally complete picture of the medieval way of life. These buildings in Toruń represent the highest achievements of medieval architecture in brick. The unique spatial layout of Toruń has survived almost intact and provides valuable source material for the history of town development in medieval Europe.
Toruń is situated in the region known in the Middle Ages as the Land of Chelmno. It was granted a town charter in 1233; a fort had been built in the early medieval period to the south-east of the town, facing the river, and this was rebuilt in the mid-13th century by the Teutonic Order. The original function of Toruń was a base for the conquest and colonization of Prussia. However, the Old Town had quickly developed as a major commercial centre for trade between the Baltic and Eastern Europe, along the Vistula to towns such as Pskov, Novgorod and Vladimir. This commercial role expanded as the century proceeded. Toruń became the leading member of the Hanseatic League in the territories ruled by the Teutonic Order. The New Town developed from 1264 to the north of the castle and the east of the Old Town as a centre for crafts and industry. Toruń was one of the most important artistic centres, in particular in architecture, in this part of Europe. It was endowed with many architectural masterpieces, which were to exert a powerful influence on the Teutonic state and neighbouring countries. The astronomer Nicolaus Copernicus was born in Toruń in 1473 and spent his youth there. The Swedish wars and the crisis in Poland in the 17th century brought the town"s prosperity to an end.
The Old Town, which forms the western part of the complex, is laid out around its central Market Place. The street pattern to the south, up to the river, is regular, with five parallel streets running down to the river intersected by cross-streets. The part to the north is also based on perpendicular streets, but they are laid out in a less regular fashion. The main feature of the Market Square is the imposing Old Town Hall, built in 1391-99 using some elements, including the tower of 1274, from its predecessor. An additional storey was added, in full conformity with the Gothic form of the building, in 1602-5. The Parish Church of St John (Cathedral of Toruń since 1992) was built in stages. The Church of the Assumption of the Blessed Virgin Mary, formerly the church of the Grey Friars (Franciscans), contains 14th-century wall paintings, as well as some fine Baroque furnishings. The Old Town was fortified progressively between 1250 and 1300 with a double wall strengthened by bastions; these fortifications were reconstructed in 1420-49 and partly dismantled in the 19th century, but most of the southern sector facing the river survives intact, with gates and towers.
In the New Town, the Parish Church of St James is another fine building in late Gothic style. Its interior contains many Baroque furnishings. The Blackfriars (Dominican) Church of St Nicholas was almost entirely demolished in the 19th century. However, the remains of the church and its cloister have been excavated and laid out as a public park. Most of the Castle of the Teutonic Order was destroyed during the uprising of 1454. The remains have been excavated and laid out for public presentation as a museum. Both the Old and the New Town are rich in fine medieval brick burgher houses, many of which retain their original Gothic facades and interior fittings (partition walls, ceilings, painted decoration). Because of the survival of so many houses from this period, the medieval plots are for the most part still preserved, delineated by their original brick boundary walls.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.