Köping Church

Köping, Sweden

Köping Church dates from the 1440s, but it got the current appearance in the late 1600s. The reconstruction was made according the design of Nicodemus Tessin the Younger and inaugurated in 1706. The altarpiece is made in Germany around 1520. The font is made of sandstone in Svealand about the same time.

References:
  • Marianne Mehling et al. Knaurs Kulturführer in Farbe. Schweden. München 1987.

Comments

Your name



Details

Founded: 1687-1706
Category: Religious sites in Sweden
Historical period: Swedish Empire (Sweden)

More Information

wikimapia.org

Rating

4.2/5 (based on Google user reviews)

User Reviews

Kerstin Svensson (3 months ago)
Be at a concert here. The first time I have been and listened to classical music. Everything was fine except for the first and final pieces, when it sounded like they were out to beat the instruments. Apparently someone tried to put music on the corona virus. It went well, I think. It would have been better if the instruments were broken, damn how good it would have been
Mitra Soltani (3 years ago)
Agne Furingsten (3 years ago)
Dimitri Florin (4 years ago)
Christian Widera (4 years ago)
En kyrka, där Du kan känna Dig välkommen. Här hittar Du fina människor och stillhet.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.