Novgorod Kremlin (Detinets) stands on the left bank of the Volkhov River. It is part of the UNESCO World Heritage Site of Historic Monuments of Novgorod and Surroundings. The compound was originally the site of a pagan burial ground upon which the first bishop of Novgorod, Ioakim Korsunianin built the Cathedral of Holy Wisdom upon his arrival in the area in 989 or so. Thus the compound was and remained largely an ecclesiastical site, although many Novgorodian boyars built their houses in the southern part of the Detinets.
The first reference to fortifications on the site dates to 1044, with additional construction taking place in 1116. These were probably earthen embankments topped by a wooden palisade, although stone towers and walls were built in 1302. Archbishop Vasily Kalika (1330–1352) rebuilt the stone wall along the eastern side of the Detinets in 1331-1335. The rest was completed in stone only in 1400. Part of Vasily"s walls collapsed into the Volkhov River in 1437 and were rebuilt by Archbishop Evfimy II (1429–1458).
The current fortress was built between 1484 and 1490 by Muscovite builders in the wake of Grand Prince Ivan III"s conquest of the city in 1478; a third of it was paid for by the Novgorodian archbishop Gennady, a Muscovite appointee (1484–1504). It is a large oval 545 meters long and 240 meter wide with nine surviving towers (three additional towers have not survived). The tallest tower, the Kokui tower is capped by a silver dome. It was built in the eighteenth century and its name is of Swedish origin. Today it is possible to enter this tower and climb to the top. The walls are 1,487 meters in circumference.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.