Fredensborg Palace was built as a hunting seat for King Frederik IV by the architect J.C. Krieger. Construction began in 1719. The main building was first used in 1722 and the chapel in 1726. It was rebuilt and expanded during the reigns of King Christian VI and of King Frederik V and his Queen, Juliane Marie, by the architects N.Eigtved, L. de Thurah and C.F. Harsdorff.
After Queen Juliane Marie’s death in 1796, the palace was rarely used. It was not until the reign of King Christian IX and Queen Louise that the palace again became the setting for the Royal Family’s life for lengthy periods. “Europe’s parents-in-law” gathered their daughters and sons-in-law, all of whom represented many of Europe’s royal and princely houses, at Fredensborg Palace every summer. Now the Royal Couple use the palace for three months in the spring and three in the autumn. Fredensborg Palace is often the setting for important events in the life of the Royal Family.
The palace gardens cover just under 300 acres and were originally designed by J.C. Krieger. It was reorganised by N. Jardin in the 1760s and has since been adapted frequently to the changing tastes of the times. Today, the main features of the original garden have been recreated. Most of the sculptures in the garden are by the great Nordic neo-classical sculptor, J. Wiedewelt. In the “Valley of the Norsemen”, there are 68 sandstone figures of Norwegian and Faroese farmers and fishermen. These figures were originally carved by the sculptor J.G. Grund. They were re-carved at the end of the 1900s from original casts.
In 1995, an orangery was built adjacent to the Palace kitchen garden. It serves as storage for tender plants in the winter, and flowers are grown here to decorate the various palaces.Fredensborg Palace and church are open to the public through guided tours. There is an admission fee. Fredensborg’s vegetable garden and orangery are open to the public through paid admission to Fredensborg. The palace garden, including the Valley of the Norsemen, is open to the public without an admission fee year-round, 24 hours a day.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.