Amalienborg is the winter home of the Danish royal family. It consists of four identical classicizing palace façades with rococo interiors around an octagonal courtyard; in the centre of the square is a monumental equestrian statue of Amalienborg's founder, King Frederick V.
Amalienborg was originally built for four noble families; however, when Christiansborg Palace burnt down on 26 February 1794, the royal family bought the palaces and moved in. Over the years various kings and their families have resided in the four different palaces. Amalienborg is the centrepiece of Frederiksstaden, a district that was built by King Frederick V to commemorate in 1748 the tercentenary of the Oldenburg family's ascent to the throne of Denmark, and in 1749 the tercentenary of the coronation of Christian I of Denmark. This development is generally thought to have been the brainchild of DanishAmbassador Plenipotentiary in Paris, Johann Hartwig Ernst Bernstorff. Heading the project was Lord High Steward Adam Gottlob Moltke, one of the most powerful and influential men in the land, with Nicolai Eigtved as royal architect and supervisor.
According to Eigtved’s master plans for Frederikstad and the Amalienborg Palaces, the four palaces surrounding the plaza were conceived of as town mansions for the families of chosen nobility. They were identical from the outside, but different on the inside. The building site for each palace was donated free of charge to the chosen aristocrat to build on, and they were further exempted from taxes and duties. The only conditions were that the palaces should comply exactly to the Frederikstad architectural specifications, and that they should be built within a specified time framework.
Building of the palaces on the western side of the square started in 1750. When Eigtved died in 1754 the two western palaces had been completed. The work on the other palaces was continued by Eigtved's colleague and rival, Lauritz de Thurah strictly according to Eigtved’s plans. The palaces were completed in 1760.
The four palaces are: Christian VII's Palace, (originally known as Moltke's Palace), Christian VIII's Palace (Levetzau's Palace), Frederick VIII's Palace (Brockdorff's Palace) and Christian IX's Palace (Schack's Palace).
Currently, only the palaces of Christian VII and Christian VIII are open to the public.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.