In 1694, Christian V built a two-story timber frame house in the Deer Park north of Copenhagen. In 1734, that building was demolished, and in the period 1734-1736, royal architect Lauritz de Thurah built the existing hunting seat on the hilltop in the middle of the plain.

The palace is an distinguished example of de Thurah’s architectural skills and one of the late Baroque’s best works in Denmark. The ground-plan of the palace is symmetrical on all four floors.The kitchen is located centrally in the basement under the dining room. Along the south gable, the beautiful staircase goes through the whole house. The stairwell is covered in tiles with hunting motifs. The tiles were produced at the factory on St. Kongensgade.The bel étage houses the large dining hall, the grandest room with rich decorations in marble, plaster, mirrors and marbled wood. The two southern rooms are in a striking late Baroque style, whilst the three northern rooms, the king’s and queen’s rooms, are in Rococo style. The central room on the top floor is the servants’ sitting room.

In 1736, Johan Jeremias Reusse, a cabinet maker, built a table machine, a mechanical device with table and accessories. This is the famous Hermitage table, which allowed the beautifully laid table to be hoisted through a hatch in the dining room floor so one could dine without servants or, in French, “en hermitage”. A few years later, a new table machine was constructed by order of court architect Nicolai Eigtved. This version had technical problems and needed repairs, and it was entirely removed at the end of the 1700s. The palace has been renovated several times, most recently when the palace underwent a through restoration of its sandstone exterior from 1979 to 1991.The Hermitage Palace has, through the years, been the centre for royal hunts. It is at the disposal of The Queen, who today uses it for official lunches. The palace is closed to the public.

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Details

Founded: 1734-1736
Category: Palaces, manors and town halls in Denmark
Historical period: Absolutism (Denmark)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Stephanie Timm (5 months ago)
Beautiful animal gardens. Tons of walking areas and you are able to see so many deer, reindeer and other animals. Also a really neat hunting castle.
Mujahid Mohamed (6 months ago)
Located in the middle of the Dyrhaven, it's a perfect location to go for a long walk
Harald Rokke (7 months ago)
Fabulous place and ambience and great views that merits the visit The only draw down is that the manor it self is closed. Rent a horse and carridge for a romantic and hominid experience
Justin Bunch (7 months ago)
The palace is only open June-August on appointment and you can book your tour online. However from the outside the palace is certainly quaint. It was built to host banquets by Frederick III and was modelled off French designs. It's one of the best preserved Baroque palaces in Denmark.
solai prabhu (11 months ago)
It's a small castle and we can reach very easily by bicycle. Just after the main entrance to deer Park. Take the road to right and almost in 15 minutes (average speed) we can reach to castle. From the castle view of the open green land is amazing, here is where you can see plenty of deer. Good calm area. All will surely love it when we have good weather.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.