The first known reference to Farumgård is from 1370 when it was a farm under the Bishop Seat in Roskilde. It was the administrative centre of their possessions around the villages of Farum, Lynge and Lillerød. From 1456 and for the next hundred years, the estate was held in fee by members of the Skovgaard family.
Farumgård was confiscated by the Crown in connection with the Reformation. The king generally put the estate at the disposal of lower-ranked officers and court officials, such as heralds, coachmen and court apothecaries. One of them was in the 16th century granted the necessary means for building a new half-timbered main building.
In 1666, King Frederick III parted with the property when he ceded it to Hans Svane, who had laboured for the introduction of the hereditary monarchy in 1660, a favour he had already been generously rewarded for with appointments, titles and several other estates. Svane died just two years after he was granted Farumgaard and after that the estate changed hands numerous times.
The current main building was completed in 1705. It was designed in 1705 by François Dieussart who was at the same time working onSorgenfri House. It is a three-winged Rococo building.
Most of the land was sold off in lots in 1906. In 1910 the house and remaining land was acquired by Elisabeth Mozart Jensen, a wealthy widow, who owned it until her death in 1932. The property was then purchased by the German St. Ursula Sisters who ran it as a recovery home until 1960. In 1965 it passed back into private ownership and has remained in the same family since then.
The park covers 6 hectares and was in 1913 returned to its former Baroque style by Elisabeth Mozart Jensen who owned Farumgaard from 1910 until 1932. The park was protected in 1965 and is considered one of the finest examples of Danish Baroque gardens.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.