Mariefred Charterhouse, sometimes referred to as Gripsholm Charterhouse, was a Carthusian monastery, or charterhouse. It was the only Carthusian monastery in Scandinavia, and one of the last monasteries established in Sweden before the Reformation.
The establishment of a Carthusian monastery in Sweden was brought about by the efforts of Jakob Ulvsson, Archbishop of Uppsala, and Kort Rogge, Bishop of Strängnäs, who in 1493 persuaded Sten Sture the elder, Regent of Sweden, to have the monks Fikke Dyssin and Johannes Sanderi together with two lay brothers sent from the Marienehe Charterhouse near Rostock to Sweden for a meeting with the riksrådet (Privy Council of Sweden). Later that year Sten Sture enfeoffed the Carthusians with the Gripsholm estate in Selebo härad in Södermanland and in 1502 gave them other lands round about.
The monastery was built on the high ground where Mariefred church now stands, built on the charterhouse ruins in the 1620s, close to Gripsholm Castle. The monastery church was dedicated on 15 February 1504.
Mariefred Charterhouse was short-lived: in 1526 it was one of the first monasteries secularised by Gustav Vasa. In December 1525 he claimed its assets from the heirs of Sten Sture the Elder, who had given the estate to the monastery on the condition that it should pass to the right heirs of the monastery if it were ever wound up. This claim was legitimated by the Privy Council in January 1526.
Virtually no trace of the monastic buildings now remains above ground: Gustav Vasa had them dismantled for the construction of Gripsholm Castle. A cellar and a few traces of walls have been discovered to the south of the church. A small collection of stones discovered during excavations in the monastery grounds, is in the current Mariefred church tower.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.