History of Sweden between 1397 - 1523
In 1388, at the request of the Swedes themselves, king Albert of Mecklenburg was driven out by Margaret I of Denmark and at a convention of the representatives of the three Scandinavian kingdoms (held at Kalmar in 1397), Margaret's great-nephew, Eric of Pomerania, was elected the common king, although the liberties of each of the three realms were expressly reserved and confirmed. The union was to be a personal, not a political union. Neither Margaret herself nor her successors observed the stipulation that in each of the three kingdoms only natives should hold land and high office, and the efforts first of Denmark (at that time by far the strongest member of the union) to impose her will on the Union's weaker kingdoms soon produced a rupture, or rather a series of semi-ruptures. The Swedes first broke away from it in 1434 under the popular leader Engelbrekt Engelbrektsson, and after his murder they elected Karl Knutsson Bonde their king under the title of Charles VIII, 1436.
In 1441 Charles VIII had to abdicate in favour of Christopher of Bavaria, who was already king of Denmark and Norway; however, upon the death of Christopher in 1448, a state of confusion ensued in the course of which Charles VIII was twice reinstated and twice expelled again. Finally, on his death in 1470, the three kingdoms were reunited under Christian II of Denmark, the prelates and higher nobility of Sweden being favourable to the union.
After the briefly successful reconquest of Sweden by Christian II and the subsequent Stockholm bloodbath in 1520, the Swedes rose in yet another rebellion which ousted the Danish forces once again in 1521, though Stockholm did not surrender until the summer of 1523. While independence was being reclaimed, the election of King Gustav of the Vasa at Strängnäs on June 6, 1523, has been seen as a formal declaration of independence, and as the de facto end of a union that had lost all long-term support in Sweden. The day Gustav Vasa was hailed as King (he was not crowned until 1528 though) would become, in 1983, the National Day of Sweden.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.