Ribe Cathedral is the oldest cathedral in Denmark. Vor Frue Kirke (The Church of Our Lady), as the cathedral is actually called, became the only five-aisled cathedral in Denmark following numerous alterations and additions. The present-day building is characterised by a wealth of different styles and interesting details.
The first church in Ribe was built in 860 by the missionary monk Ansgar who went on to become Archbishop of Hamburg. It was a timber church built with the permission of King Horik I on the south side of the river across from the market. The first stone cathedral was begun by Bishop Thur in 1110 and completed in 1134. Tufa stone was imported from Germany to build a permanent structure, since stone in the area was not available. The cathedral was built in the Romanesque style with half-rounded arches supporting a flat timber ceiling, a typical basilica style building patterned after churches in northern Germany.
A terrible fire in 1176 burned the town and the new cathedral. Because it was not completely destroyed, Ribe Cathedral is Denmark's best preserved Romanesque building. The remnants of the old were blended with new construction in a new building material for the time, large red bricks. The church was enlarged so that the nave was flanked by double aisles on each side. In parts of the church, the old flat ceilings were raised and Gothic vaulting installed.
Late in the 12th century a magnificent main door way was carved for the cathedral. The relief above the door shows Jesus being taken down from the cross. About 50 years earlier a triangular relief showing the Day of Judgement was placed above the main door. The door is called the cat's head portal because of the two lions at the base of the two columns flanking the doorway. The triangular relief is considered one of the largest remaining romanesque granite reliefs.
There are sepulchral monuments to some of the most powerful men of the town and the nation, as well as the oldest sepulchral monument in Scandinavia, erected by King Valdemar the Conqueror to a son who died in 1231. Borgertårnet (The Commoners’ Tower), which dates from the 14th century, functions as the town’s watchtower and storm tower and provides amazing views of the marshes.
The organ facade is from the Johan Heide organ of 1635. The main altar piece was painted by Ebbe Jehn Petersen.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.