Ribe Cathedral is the oldest cathedral in Denmark. Vor Frue Kirke (The Church of Our Lady), as the cathedral is actually called, became the only five-aisled cathedral in Denmark following numerous alterations and additions. The present-day building is characterised by a wealth of different styles and interesting details.
The first church in Ribe was built in 860 by the missionary monk Ansgar who went on to become Archbishop of Hamburg. It was a timber church built with the permission of King Horik I on the south side of the river across from the market. The first stone cathedral was begun by Bishop Thur in 1110 and completed in 1134. Tufa stone was imported from Germany to build a permanent structure, since stone in the area was not available. The cathedral was built in the Romanesque style with half-rounded arches supporting a flat timber ceiling, a typical basilica style building patterned after churches in northern Germany.
A terrible fire in 1176 burned the town and the new cathedral. Because it was not completely destroyed, Ribe Cathedral is Denmark's best preserved Romanesque building. The remnants of the old were blended with new construction in a new building material for the time, large red bricks. The church was enlarged so that the nave was flanked by double aisles on each side. In parts of the church, the old flat ceilings were raised and Gothic vaulting installed.
Late in the 12th century a magnificent main door way was carved for the cathedral. The relief above the door shows Jesus being taken down from the cross. About 50 years earlier a triangular relief showing the Day of Judgement was placed above the main door. The door is called the cat's head portal because of the two lions at the base of the two columns flanking the doorway. The triangular relief is considered one of the largest remaining romanesque granite reliefs.
There are sepulchral monuments to some of the most powerful men of the town and the nation, as well as the oldest sepulchral monument in Scandinavia, erected by King Valdemar the Conqueror to a son who died in 1231. Borgertårnet (The Commoners’ Tower), which dates from the 14th century, functions as the town’s watchtower and storm tower and provides amazing views of the marshes.
The organ facade is from the Johan Heide organ of 1635. The main altar piece was painted by Ebbe Jehn Petersen.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.