Ribe Cathedral is the oldest cathedral in Denmark. Vor Frue Kirke (The Church of Our Lady), as the cathedral is actually called, became the only five-aisled cathedral in Denmark following numerous alterations and additions. The present-day building is characterised by a wealth of different styles and interesting details.
The first church in Ribe was built in 860 by the missionary monk Ansgar who went on to become Archbishop of Hamburg. It was a timber church built with the permission of King Horik I on the south side of the river across from the market. The first stone cathedral was begun by Bishop Thur in 1110 and completed in 1134. Tufa stone was imported from Germany to build a permanent structure, since stone in the area was not available. The cathedral was built in the Romanesque style with half-rounded arches supporting a flat timber ceiling, a typical basilica style building patterned after churches in northern Germany.
A terrible fire in 1176 burned the town and the new cathedral. Because it was not completely destroyed, Ribe Cathedral is Denmark's best preserved Romanesque building. The remnants of the old were blended with new construction in a new building material for the time, large red bricks. The church was enlarged so that the nave was flanked by double aisles on each side. In parts of the church, the old flat ceilings were raised and Gothic vaulting installed.
Late in the 12th century a magnificent main door way was carved for the cathedral. The relief above the door shows Jesus being taken down from the cross. About 50 years earlier a triangular relief showing the Day of Judgement was placed above the main door. The door is called the cat's head portal because of the two lions at the base of the two columns flanking the doorway. The triangular relief is considered one of the largest remaining romanesque granite reliefs.
There are sepulchral monuments to some of the most powerful men of the town and the nation, as well as the oldest sepulchral monument in Scandinavia, erected by King Valdemar the Conqueror to a son who died in 1231. Borgertårnet (The Commoners’ Tower), which dates from the 14th century, functions as the town’s watchtower and storm tower and provides amazing views of the marshes.
The organ facade is from the Johan Heide organ of 1635. The main altar piece was painted by Ebbe Jehn Petersen.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.