Antvorskov was the principal Scandinavian monastery of the Roman Catholic Order of Saint John of Jerusalem. In 1165, Valdemar the Great, who was himself an honorary Knight of St John, gave the Order land at Antvorskov. The monastery was constructed soon thereafter, during the time of Archbishop Eskil. The mother monastery, on Rhodes, and a monastery on Cyprus were built to house pilgrims to the Holy Land. Daughter houses such as Antvorskov were to forward any profits from properties to the monastery on Rhodes. Over time, however, especially after the collapse of Crusader kingdoms in Palestine, the Order focused more on helping local people, especially those suffering from leprosy, which was not uncommon in mediaeval Europe.
In the 13th and 14th centuries, the monastery became one of Denmark's major landowners. Many persons nearing death and seeking to withdraw from the world into a quasi-religious life donated some or all of their goods to the monastery. Many families seeking heavenly rest for their kinsmen donated property to buy prayers in perpetuity for those deceased relatives, or to buy burial places inside the abbey church.
Despite the vast landholdings attached to the monastery, the central government of the Order on Rhodes (and, later, on Malta) often scolded Antvorskov for failing to send the required excess to the mother house. In time, Antvorskov came to own farms and land all over Denmark and as far south as Rűgen, where a daughter abbey at Maschenholt was established in 1435.
After the Reformation, the monastery complex became a royal residence. Frederik II died at Antvorskov in 1588. Frederik IV's wife was created Countess of Antvorskov, but upon her death the properties reverted to the crown. In 1717, the abbey became for a while a staging location for the Danish army, housing troops.
The abbey church was reopened for services in 1722, but the new owner, Finance Minister Koes, ordered the church to be pulled down and the materials used to rebuild his manor at Falkenstein. In 1774, lands at Anvorskov were broken into nine large estates, which passed into the hands of local noble families. In 1799, State Minister Bruun bought the remaining estate, divided it into four parcels, and sold them off.
The remnants of the monastic complex crumbled, visited by Danes and others as a picturesque reminder of the distant past; in his autobiography, Hans Christian Andersen, for example, mentions excursions to the ruins of the monastery. But by 1816, the last of the ancient buildings stood in hopeless disrepair and were torn down.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.